Very happy to link to this on camera interview I did with the lovely David Andersson of Pressenza's Face2Face.
The conversation was wide ranging and touches on feminism and theater, literature and politics, philosophy and perception and how that is all embodied in my newest play On the edge of/a cure (from which I read), that will be presented as a staged reading by Rogue Players in May.
I would love it if you would watch the interview, tell me what you think, and please share it if you like it. I have never done anything like this before, and I have to give a special shout-out to my friends Gina Dorcely and Julie Boak for helping me prepare. Many friends helped as well, but they made sure my look was right, and while that might sound superficial, trust me, when you are being interviewed on camera for the first time, that is as deep as it gets. For someone who has had chronic visibility issues (as in wanting to disappear but also somehow be seen), doing this interview and having it look and sound good is not only helpful (hopefully) for the ideas conveyed and my own work, but also deeply healing.
I was so impressed with David Andersson, how well he listened and understood the ideas and concepts I was airing. What a rare thing to feel one is having a real conversation about such topics in any environment, but even more surprising when it's on camera. As awful as the behavior is that has been exposed in the #metoo movement, I keep finding male allies who are sincere and caring. My theory is that the bad guys are not the majority but they have gaslit women and most men into believing they are, thereby masking their bad behavior as "normal." It's not normal. It's ridiculous. So, kudos to David who can listen, ask great questions and care enough to engage with the answers women give.
I have been neglectful of this blog because of so many things happening at once, which followed an extended period of grief, that still pops up once in a while. So, this kind of happy event is a welcome relief and respite. Something else I have been doing that has helped a lot is studying Qigong alongside my yoga practice. My energy levels have increased dramatically as has a kind of innate resiliency. Indeed after a couple weeks, I realized I was not depressed, but depression had become so normal to me, I didn't even realize there was another reality. Happily, I am no longer depressed after years of being so. Who knew?
In other good news, the fabulous women of the IWW workshops (there are now two!) invite you this Wednesday for a Full Moon Equinox Reading at Tannat Wine & Cheese up in Inwood, the top tip of Manhattan. Invite below. If you are in NYC, come along. These women are rocking my world.
There may be a space or two opening up in the workshops, so get in touch if you are interested (email on flyer below).
Welcome to my blog..
"We struggle with dream figures and our blows fall on living faces." Maurice Merleau-Ponty
When I started this blog in 2011, I was in a time of transition in my life between many identities - that of Artistic Director of a company (Apocryphal Theatre) to independent writer/director/artist/teacher and also between family identity, as I discover a new family that my grandfather's name change at the request of his boss in WWII hid from view - a huge Hungarian-Slovak contingent I met in 2011. Please note in light of this the irony of the name of my recently-disbanded theatre company. This particular transition probably began in the one month period (Dec. 9, 2009-Jan. 7, 2010) in which I received a PhD, my 20 year old cat died on my father's birthday and then my father, who I barely knew, died too. I was with him when he died and nothing has been the same since. This blog is tracing the more conscious elements of this journey and attempt to fill in the blanks. I'm also writing a book about my grandmothers that features too. I'd be delighted if you joined me. (Please note if you are joining mid-route, that I assume knowledge of earlier posts in later posts, so it may be better to start at the beginning for the all singing, all dancing fun-fair ride.) In October 2011, I moved back NYC after living in London for 8 years and separated from my now ex-husband, which means unless you want your life upended entirely don't start a blog called Somewhere in Transition. In November 2011, I adopted a rescue cat named Ugo. He is lovely. As of January 2012, I began teaching an acting class at Hunter College, which is where one of my grandmothers received a scholarship to study acting, but her parents would not let her go. All things come round…I began to think it may be time to stop thinking of my life in transition when in June 2012 my stepfather Tom suddenly died. Now back in the U.S. for a bit, I notice, too, my writing is more overtly political, no longer concerned about being an expat opining about a country not my own. I moved to my own apartment in August 2012 and am a very happy resident of Inwood on the top tip of Manhattan where the skunks and the egrets roam in the last old growth forest on the island.
I am now transitioning into being married again with a new surname (Barclay-Morton). John is transitioning from Canada to NYC and as of June 2014 has a green card. So transition continues, but now from sad to happy, from loss to love...from a sense of alienation to a sense of being at home in the world.
As of September 2013 I started teaching writing as an adjunct professor at Fordham University, which I have discovered I love with an almost irrational passion. While was blessed for the opportunity, after four years of being an adjunct, the lack of pay combined with heavy work load stopped working, so have transferred this teaching passion to private workshops in NYC and working with writers one on one, which I adore. I will die a happy person if I never have to grade an assignment ever again. As of 2018, I also started leading writing retreats to my beloved Orkney Islands. If you ever want two weeks that will restore your soul and give you time and space to write, get in touch. I am leading two retreats this year in July and September.
I worked full time on the book thanks to a successful crowd-funding campaign in May 2014 and completed it at two residencies at Vermont Studio Center and Wisdom House in summer 2015. I have done some revisions and am shopping it around to agents and publishers now, along with a new book recently completed.
I now work full-time as a freelance writer, writing workshop leader, coach, editor and writing retreat leader. Contact me if you are interested in any of these services.
Not sure when transition ends, if it ever does. As the saying goes, the only difference between a sad ending and a happy ending is where you stop rolling the film.
For professional information, publications, etc., go to my linked in profile and website for Barclay Morton Editorial & Design. My Twitter account is @wilhelminapitfa. You can find me on Facebook under my full name Julia Lee Barclay-Morton. More about my grandmothers' book: The Amazing True Imaginary Autobiography of Dick & Jani
In 2017, I launched a website Our Grandmothers, Our Selves, which has stories about many people's grandmothers. Please check it out. You can also contact me through that site.
In May, I directed my newest play, On the edge of/a cure, and have finally updated my publications list, which now includes an award-winning chapbook of my short-story White shoe lady, which you can find on the sidebar. I also have become a certified yoga instructor in the Kripalu lineage. What a year!
And FINALLY, I have created a website, which I hope you will visit, The Unadapted Ones. I will keep this blog site up, since it is a record of over 8 years of my life, but will eventually be blogging more at the website, so if you want to know what I am up to with my writing, teaching, retreats and so on, the site is the place to check (and to subscribe for updates). After eight years I realized, no, I'm never turning into One Thing. So The Unadapted Ones embraces the multiplicity that comprises whomever I am, which seems to always be shifting. That may in fact be reality for everyone, but will speak for myself here. So, do visit there and thanks for coming here, too. Glad to meet you on the journey...
Saturday, March 16, 2019
An interview about feminism, literature, theater, politics, philosophy and On the edge of/a cure
Posted by Julia Lee Barclay-Morton at 9:17 PM No comments:
Labels: #metoo, embodiment, feminism, interview, Inwood Writers' Workshop, IWW, On the edge of/a cure, politics, Pressenza, Qigong, Rogue Players, theater, TV, viability, women writing
Subscribe to: Posts (Atom)