Welcome to my blog..


"We struggle with dream figures and our blows fall on living faces." Maurice Merleau-Ponty

When I started this blog in 2011, I was in a time of transition in my life between many identities - that of Artistic Director of a company (Apocryphal Theatre) to independent writer/director/artist/teacher and also between family identity, as I discover a new family that my grandfather's name change at the request of his boss in WWII hid from view - a huge Hungarian-Slovak contingent I met in 2011. Please note in light of this the irony of the name of my recently-disbanded theatre company. This particular transition probably began in the one month period (Dec. 9, 2009-Jan. 7, 2010) in which I received a PhD, my 20 year old cat died on my father's birthday and then my father, who I barely knew, died too. I was with him when he died and nothing has been the same since. This blog is tracing the more conscious elements of this journey and attempt to fill in the blanks. I'm also writing a book about my grandmothers that features too. I'd be delighted if you joined me. (Please note if you are joining mid-route, that I assume knowledge of earlier posts in later posts, so it may be better to start at the beginning for the all singing, all dancing fun-fair ride.) In October 2011, I moved back NYC after living in London for 8 years and separated from my now ex-husband, which means unless you want your life upended entirely don't start a blog called Somewhere in Transition. In November 2011, I adopted a rescue cat named Ugo. He is lovely. As of January 2012, I began teaching an acting class at Hunter College, which is where one of my grandmothers received a scholarship to study acting, but her parents would not let her go. All things come round…I began to think it may be time to stop thinking of my life in transition when in June 2012 my stepfather Tom suddenly died. Now back in the U.S. for a bit, I notice, too, my writing is more overtly political, no longer concerned about being an expat opining about a country not my own. I moved to my own apartment in August 2012 and am a very happy resident of Inwood on the top tip of Manhattan where the skunks and the egrets roam in the last old growth forest on the island.

I am now transitioning into being married again with a new surname (Barclay-Morton). John is transitioning from Canada to NYC and as of June 2014 has a green card. So transition continues, but now from sad to happy, from loss to love...from a sense of alienation to a sense of being at home in the world.

As of September 2013 I started teaching writing (composition and rhetoric) as an adjunct professor at Fordham University, which I have discovered I love with an almost irrational passion. So blessed for the opportunity and hope to find a more permanent job doing same.

I worked full time on the book thanks to a successful crowd-funding campaign in May 2014 and completed it at two residencies at Vermont Studio Center and Wisdom House in summer 2015. I have done some revisions and am shopping it around to agents and publishers now, along with having written a rough draft of a new book and some other projects.

Not sure when transition ends, if it ever does. As the saying goes, the only difference between a sad ending and a happy ending is where you stop rolling the film.

For professional information, publications, etc., go to my linked in profile and website for Barclay Morton Editorial & Design. My Twitter account is @wilhelminapitfa. You can find me on Facebook under my full name Julia Lee Barclay-Morton. More about my grandmothers' book: The Amazing True Imaginary Autobiography of Dick & Jani

Recently, I started a website Our Grandmothers, Our Selves, which has stories about many people's grandmothers. Please check it out. I will be blogging there, too, now.


Tuesday, June 3, 2014

And now for something completely different...

Tomorrow I will have the great privilege and honor of performing at the Commons in Brooklyn with the amazing Alison Blunt, violinist, from the UK.  She and I worked together in many ways when I lived in London, including as part of my theater company (Apocryphal).  She now plays with fabulous saxophonist Gianni Mimmo from Italy - and lucky me, they asked me to gig with them on Wednesday!

I will be adding in excerpts of text and vocals, drawing from my multi-year meditation/text inspired by William James.  Should be a rollicking good time, if you like way out improvised music and your text cut up and sung (sort of).

Here's the details...come on over, down, up...etc...if you can.  First set looks to be amazing, too!

Music Now! at the Commons


June 4th, 2014 7:00 PM
PERFORMANCE
Music Now! @ the Commons
Julia Lee Barclay-Morton, Alison Blunt, Rocco John Iacovone, Gianni Mimmo, Ras Moshe, Dafna Naphtali, John Pietaro, Reuben Radding & Tor Yochai Snyder
7 PM Spring Music
With Ras Moshe
Tor Yochai Snyder
John Pietaro
Dafna Naphtali
Rocco John Iacovone
Reuben Radding
8 PM Words+Music
Alison Blunt (Uk): Violin
Gianni Mimmo (It): Soprano Sax
Julia Lee Barclay-Morton (Us): Text, Voice
Julia Lee Barclay-Morton is an award-winning writer and director of experimental theater, whose work has been published and produced internationally. She founded Apocryphal Theatre in London. Most of her stage texts are published in anthologies and online at www.indietheaternow.com.  She is working on a book about her grandmothers, The Amazing True Imaginary Autobiography of Dick & Jani.
Mimmo/Blunt Duo: Soprano saxophonist Mimmo and violinist Blunt began to work together in 2013. A sparkling acoustic duo featuring a contemporary wild chamber attitude, improvising instant compositions, sound texture explorations and sudden lyrical flights, they have already performed prolifically in the UK, Germany, Italy and Finland. Experimental flavors, multi-perspective intuitions and reciprocal listening are the extremely well balanced blend of this duo that strives for an improvisation where “things happen.”
Continuing in the tradition of the loft jazz scene (i.e.- Studio Rivbea and Ali's Alley), Music Now is a monthly series featuring some of the most innovative artists on the music scene. The series is curated by veteran reedist and cultural worker Ras Moshe.

Admission: both sets $11
The Commons
388 Atlantic Avenue
BrooklynNY 11217
United States

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