Welcome to my blog..

"We struggle with dream figures and our blows fall on living faces." Maurice Merleau-Ponty

When I started this blog in 2011, I was in a time of transition in my life between many identities - that of Artistic Director of a company (Apocryphal Theatre) to independent writer/director/artist/teacher and also between family identity, as I discover a new family that my grandfather's name change at the request of his boss in WWII hid from view - a huge Hungarian-Slovak contingent I met in 2011. Please note in light of this the irony of the name of my recently-disbanded theatre company. This particular transition probably began in the one month period (Dec. 9, 2009-Jan. 7, 2010) in which I received a PhD, my 20 year old cat died on my father's birthday and then my father, who I barely knew, died too. I was with him when he died and nothing has been the same since. This blog is tracing the more conscious elements of this journey and attempt to fill in the blanks. I'm also writing a book about my grandmothers that features too. I'd be delighted if you joined me. (Please note if you are joining mid-route, that I assume knowledge of earlier posts in later posts, so it may be better to start at the beginning for the all singing, all dancing fun-fair ride.) In October 2011, I moved back NYC after living in London for 8 years and separated from my now ex-husband, which means unless you want your life upended entirely don't start a blog called Somewhere in Transition. In November 2011, I adopted a rescue cat named Ugo. He is lovely. As of January 2012, I began teaching an acting class at Hunter College, which is where one of my grandmothers received a scholarship to study acting, but her parents would not let her go. All things come round…I began to think it may be time to stop thinking of my life in transition when in June 2012 my stepfather Tom suddenly died. Now back in the U.S. for a bit, I notice, too, my writing is more overtly political, no longer concerned about being an expat opining about a country not my own. I moved to my own apartment in August 2012 and am a very happy resident of Inwood on the top tip of Manhattan where the skunks and the egrets roam in the last old growth forest on the island.

I am now transitioning into being married again with a new surname (Barclay-Morton). John is transitioning from Canada to NYC and as of June 2014 has a green card. So transition continues, but now from sad to happy, from loss to love...from a sense of alienation to a sense of being at home in the world.

As of September 2013 I started teaching writing (composition and rhetoric) as an adjunct professor at Fordham University, which I have discovered I love with an almost irrational passion. While felt blessed for the opportunity, after four years of this, the lack of pay combined with heavy work load stopped working, so have transferred this teaching passion to private workshops in my own apartment and working with writers one on one, which I adore. I will die a happy person if I never have to grade an assignment ever again.

I worked full time on the book thanks to a successful crowd-funding campaign in May 2014 and completed it at two residencies at Vermont Studio Center and Wisdom House in summer 2015. I have done some revisions and am shopping it around to agents and publishers now, along with a new book recently completed.

I am now working full-time as a freelance writer, writing workshop leader, coach, and editor. Contact me if you are interested in any of these services.

Not sure when transition ends, if it ever does. As the saying goes, the only difference between a sad ending and a happy ending is where you stop rolling the film.

For professional information, publications, etc., go to my linked in profile and website for Barclay Morton Editorial & Design. My Twitter account is @wilhelminapitfa. You can find me on Facebook under my full name Julia Lee Barclay-Morton. More about my grandmothers' book: The Amazing True Imaginary Autobiography of Dick & Jani

Recently, I started a website Our Grandmothers, Our Selves, which has stories about many people's grandmothers. Please check it out. I will be blogging there, too, now. You can also contact me through that site.

Monday, October 6, 2014

'...whatever God is'

I'm still here! The book is now in Very rough draft form, much needs to be added and much taken away...

Let this post act as an invitation to you (on October 7 or 21 at 7pm) to a staged reading of my newest play-like-thing ('...whatever God is': a love story) at Stage Left Studio in NYC. Address is 214 W. 30th Street, 6th Floor.

Details for tickets (which are recommended because it's a small space) are at this link.

An interview with me that can contextualize the work is here.

I am directing this staged reading (of sorts) in collaboration with this fabulous cast:

Shawn Cuddy, Christian Huygen, Roy Koshy, Maria Silverman & Alyssa Simon

'…whatever God is': a love story is a meditation on sudden loss, mortality, grieving, transformation & unexpected joy…and how faith relates to these experiences. 

This text-material is inspired by the American philosopher's William James' Varieties of Religious Experience, a publication of his Gifford lectures given in Edinburgh from 1901-1902. His view of a 'religious experience' accords more with what we would call now a 'spiritual experience' in that he was not at all concerned with religious dogma, but instead the transformative effect of these events on the person's behavior in the world. James' insights struck me as remarkably contemporary and particularly relevant now in a world where there seems to be an undeclared, yet persistent, war between the sacred and the secular, as if there can be no overlap between the two - either because of fundamentalist religion and/or fundamentalist secularism.

Also included in this text are anecdotes James included in his lectures, excerpts from Carl Jung, the Sufi poet Rumi and last but not least: The Book of Job, which I found myself reading many times over the past number of years to work through both some private and very public losses.


A basic premise of this event is this thought:

Because we are now mandated - or at the very least pressured - to perform in life and work, in public and in private (especially with the advent of social media), perhaps the role of the theater in the 21st Century is to allow a space for people to stop performing and instead to gather in a room to have a real conversation about what we are doing here, who we are and how to become the people we want to be with one another.

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