Welcome to my blog..


"We struggle with dream figures and our blows fall on living faces." Maurice Merleau-Ponty

When I started this blog in 2011, I was in a time of transition in my life between many identities - that of Artistic Director of a company (Apocryphal Theatre) to independent writer/director/artist/teacher and also between family identity, as I discover a new family that my grandfather's name change at the request of his boss in WWII hid from view - a huge Hungarian-Slovak contingent I met in 2011. Please note in light of this the irony of the name of my recently-disbanded theatre company. This particular transition probably began in the one month period (Dec. 9, 2009-Jan. 7, 2010) in which I received a PhD, my 20 year old cat died on my father's birthday and then my father, who I barely knew, died too. I was with him when he died and nothing has been the same since. This blog is tracing the more conscious elements of this journey and attempt to fill in the blanks. I'm also writing a book about my grandmothers that features too. I'd be delighted if you joined me. (Please note if you are joining mid-route, that I assume knowledge of earlier posts in later posts, so it may be better to start at the beginning for the all singing, all dancing fun-fair ride.) In October 2011, I moved back NYC after living in London for 8 years and separated from my now ex-husband, which means unless you want your life upended entirely don't start a blog called Somewhere in Transition. In November 2011, I adopted a rescue cat named Ugo. He is lovely. As of January 2012, I began teaching an acting class at Hunter College, which is where one of my grandmothers received a scholarship to study acting, but her parents would not let her go. All things come round…I began to think it may be time to stop thinking of my life in transition when in June 2012 my stepfather Tom suddenly died. Now back in the U.S. for a bit, I notice, too, my writing is more overtly political, no longer concerned about being an expat opining about a country not my own. I moved to my own apartment in August 2012 and am a very happy resident of Inwood on the top tip of Manhattan where the skunks and the egrets roam in the last old growth forest on the island.

I am now transitioning into being married again with a new surname (Barclay-Morton). John is transitioning from Canada to NYC and as of June 2014 has a green card. So transition continues, but now from sad to happy, from loss to love...from a sense of alienation to a sense of being at home in the world.

As of September 2013 I started teaching writing as an adjunct professor at Fordham University, which I have discovered I love with an almost irrational passion. While was blessed for the opportunity, after four years of being an adjunct, the lack of pay combined with heavy work load stopped working, so have transferred this teaching passion to private workshops in NYC and working with writers one on one, which I adore. I will die a happy person if I never have to grade an assignment ever again. As of 2018, I also started leading writing retreats to my beloved Orkney Islands. If you ever want two weeks that will restore your soul and give you time and space to write, get in touch. I am leading two retreats this year in July and September.

I worked full time on the book thanks to a successful crowd-funding campaign in May 2014 and completed it at two residencies at Vermont Studio Center and Wisdom House in summer 2015. I have done some revisions and am shopping it around to agents and publishers now, along with a new book recently completed.

I now work full-time as a freelance writer, writing workshop leader, coach, editor and writing retreat leader. Contact me if you are interested in any of these services.

Not sure when transition ends, if it ever does. As the saying goes, the only difference between a sad ending and a happy ending is where you stop rolling the film.

For professional information, publications, etc., go to my linked in profile and website for Barclay Morton Editorial & Design. My Twitter account is @wilhelminapitfa. You can find me on Facebook under my full name Julia Lee Barclay-Morton. More about my grandmothers' book: The Amazing True Imaginary Autobiography of Dick & Jani

In 2017, I launched a website Our Grandmothers, Our Selves, which has stories about many people's grandmothers. Please check it out. You can also contact me through that site.

In May, I directed my newest play, On the edge of/a cure, and have finally updated my publications list, which now includes an award-winning chapbook of my short-story White shoe lady, which you can find on the sidebar. I also have become a certified yoga instructor in the Kripalu lineage. What a year!

And FINALLY, I have created a website, which I hope you will visit, The Unadapted Ones. I will keep this blog site up, since it is a record of over 8 years of my life, but will eventually be blogging more at the website, so if you want to know what I am up to with my writing, teaching, retreats and so on, the site is the place to check (and to subscribe for updates). After eight years I realized, no, I'm never turning into One Thing. So The Unadapted Ones embraces the multiplicity that comprises whomever I am, which seems to always be shifting. That may in fact be reality for everyone, but will speak for myself here. So, do visit there and thanks for coming here, too. Glad to meet you on the journey...
Showing posts with label PTSD. Show all posts
Showing posts with label PTSD. Show all posts

Sunday, June 23, 2019

PTSD and its aftermath - how to hold space

Yep, my time at Yoga Teacher Training was indeed transformative, and I am now a certified Kripalu Yoga Teacher - yay! Throughout the process was laid bare and vulnerable in ways beyond what thought was tolerable. Thanks to a skillful trainer and assistant, and some people outside of the Kripalu program I could reach out to who are part of my recovery community, I was able to walk through some triggering events, and now on the other side, feel confident I can teach the kind of yoga I want to teach: gentle, compassionate and meditative for anyBody, especially those who feel disqualified from yoga because not young, thin or bendy. This is what drew me to Kripalu Yoga in the first place. I realized this month that I also want to reach out to rehabs and detoxes to offer this type of yoga, since it can be very helpful for the difficult physical transitions of the body as it attempts to let go of drugs and alcohol, which is in my wheelhouse.

However, there were moments when I was not sure I would make it because this training makes you have to come into touch with the core of your being, including the traumatized bits. Not that anyone was traumatizing per se, but if you have been scared out of your body from a very young age, and then not only need to be in it to do yoga but then be in it enough to teach others to do the same While Others Are Watching You Do This...is another thing altogether.

In savasana (a meditative, restful time lying on floor at end of most yoga classes), I had a felt sense of how challenging this would be for me and began to cry. Afterwards, I went to talk about this to the trainer I had a feeling would get it and they did (NB: I am going to use 'they' as a gender neutral way of discussing people here, because I want this to be about principles rather than personalities, and if you know where I studied and with whom gender designations would give it away). Even though this person did not have a complete understanding, they did have the ability to understand there was something large going on and convey both an ability to hold space for that while also conveying faith in me that I would get through it. This was done not by using fake psychology, but simply reminders to breathe and stay in the present. Conveying both that I was seen and also—importantly—was not a broken toy who needed to be fixed or somehow pitied.

This is the key to accepting someone else's PTSD response.

What is a PTSD response, you might ask, and how would I know it?

Basically it's this: whatever form it takes, it does not track with what you can see in front of you as a person. If that person is generally confident and then is in a puddle of tears, definitely a good possibility they have been triggered. The reason this kind of seemingly atypical response is different than some kind of pathology is because PTSD is a manifestation of what is/was actually a Very Skillful response to what was an impossible situation that kept that person alive. So if someone dissociates or melts down in some obvious way, that is not a sign of a pathological breakdown but instead defense at what appears to be like the original trauma. Yes, it may seem out of line with the situation at hand, and YES, please for the love of all that is holy trust me on this, THE PERSON KNOWS THIS.

So, examples of less than skillful responses include telling a person who is crying after a disappointing-to-them practice teach in part due to the fact someone they have never met has been watching them while writing stuff down with what appeared like a grimace on their face, that they need to "deal with their negative self-talk."

Sigh.

Let's break this down as to all the reasons this is a bad idea.

1) As above, the person crying knows they are having a disproportionate response. This is not news. This person has been triggered, and if that person is trying to tell you that and all you say is "you have to deal with your negative self-talk" you know that (a) the person is not seeing you and (b) that person has decided that you Are a broken toy and worse—since clearly they do not have a clue what is happening—they can somehow Fix you.

2) Even if you were right and it was only an issue of "negative self-talk" to keep pointing that out is judgmental and therefore would make this syndrome worse.

but

3) If it is a PTSD response, this insistence amounts to blaming the victim and has the effect of not being useful information at all, but instead can have the effect of feeling humiliating.

SO...

What would be more useful in that scenario?

Something like the more skillful trainer did on numerous occasions:

1. Saw me for where I was and acknowledged it.

2. Made it clear that my vulnerability was not frightening to them, nor was it somehow off the charts or pathological in any way.

3. Reminded me of yogic principles (for instance Kripalu yoga has a wonderful system for "riding the wave" of seemingly overwhelming emotions: Breathe, Relax, Feel, Watch, Allow). When reminded of this, and assured by the presence of this person that I was Not a broken toy, I could then use these tools on my own and Find My Own Way Out of the PTSD Response. In other words, this is empowering. It is not either pathologizing or condescending, nor is it fixing, which is problematic because it makes the person feel they are incapable of finding their own way out.

Is this hard to pull off? You betcha. Have I met lots of people capable of this? No. But is it something that can be cultivated in oneself? Yes, I believe it is.

The key issue, however, is this: You Must Be OK with Your Own Vulnerability. If you are afraid of parts of yourself that are vulnerable or that perhaps you judge as "weak" or "unseemly", then you will not be able to hold space for someone who is truly melting down in front of you. Because the part of you that is scared of your own vulnerability will recoil and feel the need to label or pathologize or fix the person in front of you.

***

So, what I learned in my 26 days of Yoga Teacher Training is that I can survive my own worst meltdowns and fears. That I could find a way, after the first major one with the less than skillful mentor, to protect my own space and energy field (thanks to a friend who offered me a QiGong protection mudra with movement, and also remembering some of my own tools from my 32+ years of recovery). That I can distinguish between what is mine (aka baggage bringing to an interaction) and the less than ideal responses of some people. That when I feel humiliated in many cases this is because I have allowed someone to see a vulnerability in me they are not themselves prepared to cope with so feel the need to shut me down by labeling it or trying to fix me. That even so, that person or people are doing their best and that their vulnerability is manifesting as a fear of mine. So that in no case–and I want to emphasize this—do I think anyone was ever trying to hurt me in any way, and that at all times even these people who inadvertently hurt me did have my best interests at heart. However, there is this deep work one learns to do if having spent a long time in life recovering from trauma/s and various ways of coping with said trauma/s, and if one has not done this work or maybe even if one has not had to do this work, there is a certain lack of understanding brought to the spaces I ended up inhabiting at a few key phases during my training.

Having said that, there was the skilled trainer and also an assistant who had an instinctive understanding of what was happening and offered useful tools at key times. And the trainer was able to help me process some of the more difficult interactions.

But the main thing I want to convey here is this: even if you find yourself as someone in a situation with someone having a PTSD episode and you don't understand it: (a) hold space as much as possible, (b) listen to what the person is saying, (c) affirm their strength for being there in that moment, even if in a somewhat disheveled or perhaps dissociated state, and tell them both verbally and non-verbally, that you have confidence they can endure whatever they are going through at the moment and encourage them back to the present moment where—assuming you have done all of the above—it is safe. Also, and this is key, do not assume you know why or what has triggered this or what their background is or is not. If they want you to know, they will tell you. If you talk to them, however seemingly compassionately about their "rough life" when you don't even know what it was, again the person will feel singled out and pitied. If they want you to know the details, you will find out.

You can Always say: wow, I don't have this experience and am not sure what to do, how to offer help,  and ASK the person is there something I can do? And then believe their answer. Finally, if nothing helps, consider reaching out to someone else you know who you think may be better suited to the task. In other words: be humble, don't assume you have to know how to deal with it, but be ready to find out you do not, and admit to where you are. Then you, too, are showing vulnerability, and become safer.

***

I hope this is useful information. Finally, if you have a friend or loved one who deals with PTSD on the regular (or you yourself do), I cannot recommend The Body Keeps the Score highly enough. This will give you the information you need to understand what that person is dealing with on a physiological level, even aside from the obvious emotional distress. When I read this book a couple years ago, it marked the first time I did not in my heart of hearts feel broken or beyond repair. I saw what made up the symptoms in my brain and body, and had a compassion for myself and others who similarly suffer. I saw we were not beyond redemption, we were skillful survivors of impossible situations, either in childhood or as adults or both, domestic or in war or both, and that given this knowledge and self-awareness we can find how to navigate the world in a way which is less fractured. Perfect? No. At times triggered? You bet. But with compassion.

"The highest form of spiritual practice is self-observation without judgment" said Swami Kripalu.

I agree.

Peace out.

Tuesday, August 14, 2018

Another healing journey...

A lot has happened since my last blog post, all the events listed were performed, and had a wonderful retreat to Westray in Orkney Islands. In fact, so good, that I have booked three more - for April, July and September. So, if you want to spend some time in a beautiful place, getting a lot of writing done, surrounded by serious writers who are super supportive, then get in touch.

But what I want to write about now is my near-future plan for October of this year...which involves spending the month at Kripalu - a yoga center in the Berkshires that I love - for intensive yoga teacher training. I will be there for a month.

Aside from the fact that the training itself will be transformational, and I will be certified to teach after over 17 years of practicing Kripalu yoga, this is also happening precisely 17 years after I was meant to spend a month at Kripalu doing a seva program. I had just begun practicing yoga and wanted to immerse myself in it. I was excited and nervous about the prospect of spending a month someplace I had never been, but I had been assured it was a great place. I was ready for an adventure after what had been a challenging year getting over a difficult breakup of a 13 year relationship, which had the effect of making me question Everything. I was ready for this new life, this new world.

Then less than a month before I was meant to go up to Lenox, September 11, 2001 happened, in my city. I have written about this many times, and if you want my best description, you can read it here.

But what happened after is, I could not leave the city. I was afraid it would disappear. Many were fleeing, but I was holding on for dear life. NYC was my home, the only place on earth that I had ever felt at home, and now all I could smell was burning plastic, metal and bodies - even up in Yorkville where I lived at the time. The smell made it up the East River. The smoke was visible, even though I was miles north of the attack. I had many friends who had been closer, some who lost people, and all of us saw the missing signs everywhere. People had tacked up photocopies of smiling pictures of friends and relatives, every fire house had at least eight photos up it seemed. There were candles under some of the photos in little planters, near trees, on steps up to brownstones. None of them were missing. They were all dead, incinerated.

I could not move. Would not move. Was not afraid, as far as I could tell, but of course I was. In yoga class, I felt the terror, but mostly was in a dissociated fugue state, that I arguably lived in for years, and to some degree even exist in to this day.

I cancelled the trip to Kripalu. I ended up doing a lot of other things, including moving to the UK in 2003 for what I thought was temporary stay that ended up lasting 8 years. I left in August 2003, right after the blackout, which ended the morning I flew out, I remember seeing a guy - probably drunk - stagger in front of our Super Shuttle Van at 4 am in Times Square. The driver swerved to avoid him, but it was eerie. My cats had looked at me bereft when I walked out the door. Everything was deeply weird.

I won't go into those eight years, because that's a novel in its own right, but the fact is I missed all the 9/11 anniversaries after the first one in 2002. And because of the way it was being used politically, I refused to participate even then in any event that showed my grief publicly. I was enraged that our grief was being used as an excuse to ramp up a war. So, I shoved it down. Then I was in the UK where no one wanted to know and most were cynical about 9/11. Individually some people wanted to know my actual human scale story but most decided to launch into diatribes about how it was an inside job and/or how Americans now know how it feels, etc. So, I learned to shut the fuck about it.

Then I shut it down into a tiny, hidden part of myself. Hidden even to me.

This part would emerge when I visited NYC and sometimes was near downtown and would see building going on and feel nauseous or start shaking, and I would have to leave.

I shut. it. down.

So, when I was back here in September 2011, realizing I was going to move back to NYC, and the 10th anniversary rolled around, I was kind of shocked by how moving it was to me, how emotional I got. I was wary now of saying this to my New York friends, because they had now been through Years of this grieving or ignoring it, depending on their mood or capability. So, once again, I kept it to myself.

I have begun to realize over the years of being back in NYC that some part of me is still damaged from that day, some part of me I have not allowed out somehow, a wound I have protected.

One of the original ways of shielding that wound was to Not go to Kripalu in October 2001.

So, when I realized I could go up in October 2018 for teacher training if I received a scholarship (which happily I did), I decided it was time to finally do this thing. While this won't heal everything, it's a start. I will finally allow myself the immersion I so craved then, but then somehow feared.

I don't know if the buried emotions will come up or not. There has been a lot of trauma in my life since then, including difficult losses, and there is one right now on the horizon. I have no idea what will happen.

But I am dedicating the training and any yoga teaching I do to people who were like me when I started yoga in my late 30s: scared and kind of suspicious and sure I could not do it. I want to work with people who suffer from PTSD or just plain old bad body image or a sense of being "bad" at physical things. And maybe people like me, too, who just can't shake certain wounds.

I want to embrace vulnerability, my own and others'. I don't know if I can actually do this or am just talking trash. In reality I hate vulnerability. My own that is. Total loss of control. It sucks. But it's also the only place life can become, well, life. So there's that.

We shall see what happens.

But this is a baby step towards healing. I was torn asunder on 9/11/01. More than I knew. I don't think I will necessarily get put back together, because not sure that's possible, but maybe, if I'm lucky, I can at least find the bits and pieces that were lost, even if they are in shards and make into some kind of whack collage.

There are worse fates.

Thursday, September 28, 2017

The Vietnam War and me...

Before I begin writing about the Vietnam War documentary that has been showing on PBS (and that can be streamed free from their website), I want to ask anyone who has a response to this post to only respond if they, too, have watched all 18-hours of the documentary. This film is such a mammoth project, with so many levels, with meaning that develops through accretion, so that there can be no shortcut to understanding the depth and breadth of what Ken Burns and Lynn Novick have created as a document of a thirty-year American war...that America lost.

Some of my left-wing friends freaked out in the first fifteen minutes because the narration said that the war was begun "in good faith by decent people" and then goes on to describe tragic miscalculations and misunderstandings with tragic consequences. This characterization led them to fear that the whole documentary was going to be an apology for the Johnson and Nixon administrations, which it is not.

In a radio interview today on WNYC with Brian Lehrer who brought up this common criticism, Novick said that what most people don't realize when they hear that sentence is that they are talking about the very beginning, which was right after WWII, when Truman and then Eisenhower were making decisions about US involvement, and making the mistake of seeing it through the lens of WWII. There is information, later on in this first episode, about letters from Ho Chi Minh to Truman entreating him to understand that this was a war of independence, that the CIA never showed him. It is clear that Truman was making decisions without all the information to hand.

There is also a fear amongst many in the left that because there is among many sponsors that include the NEH, Pew, Mellon, Ford, etc. (usually progressive) there is also Bank of America and David Koch, that this means the documentary is ultimately an apology for or glorification of the war.

While I was afraid of all these things at the beginning, as I watched the documentary and listened to all the voices, including archival footage, that comprise it, I saw that there was no way you could characterize it that way. What Burns/Novick as documentarians are known for is letting ground-level participants speak for themselves in the midst of stories recounting Big Events. By doing this here -- and crucially including North and South Vietnamese and Viet Cong voices -- along with Vietnam vets who ranged from highly gung-ho or at least sympathetic to the cause even to to the bitter end to the many who changed their view when they were in Vietnam and when they came home became Veterans Against the War. You also see anti-war demonstrators whose viewpoints about their own ideas and tactics change over time. There is also a lot of archival documents from the time, including endless damning tapes of both Johnson and Nixon, and some, too, of Kennedy. Speaking with their advisors and cabinet members, as they try to decide what to do for either noble or ignoble reasons, their doubts manifest, and then the contrast of their public statements, all faux-confidence and at times outright lies..

For those who fear this documentary might soft-pedal American involvement in war atrocities, it doesn't. For those on the right who might fear it's all about how horrible America is about everything, it doesn't do that either. For those who fear it may make American vets and civilians seem more human than the Vietnamese vets and civilians, or somehow make out American lives as more important, it doesn't do that either. For every tragedy befalling an American, there is an interview that follows with the same or worse having befallen a Vietnamese person.

The way America abandoned Vietnam is equally harrowing, and there is a lot of information I did not know, like how the Ambassador at the time refused to come up with an evacuation plan so hundreds of thousands of South Vietnamese people who had aided the US-backed effort were left stranded. Some of the marines themselves were almost left behind. It is harrowing and horrific.

Also made clear is how Nixon prolonged the war so that Saigon would not fall before he got re-elected in 1972, and how he (and Johnson) would out right lie to the American public about how the war was going - just straight up lie. Sound familiar? Well, yeah.

The Kent State event in which National Guardsmen fired live rounds into a group of unarmed student demonstrators, killing four, is made clear. My Lai, in which a battalion of vets killed hundreds of civilians in a village systematically for hours until a helicopter captain landed between them and the villagers and demanded they stop or his troops would fire at the army troops killing the villagers, is discussed in excruciating detail (as it should be). The fact that no one was ever really made to pay, except for Lt. Calley and he did not even have a long prison sentence and the short amount of time was only house arrest, is bemoaned by many being interviewed, especially the vets themselves.

There is a lot more nuance and detail that is even more important to me, especially the interviews with vets. As anyone who reads this blog knows, my stepfather, David Berry was a Vietnam vet who served in 1969 (so when you watch episode 7 and 8 that's his time). He went to Vietnam, even though he could have wangled a deferment, because he didn't think it was fair someone poorer and with less access to this privilege should go in his place. People were drafted until the lottery (which Nixon did try to make less discriminatory in this way, interestingly enough) by levels of education, etc. Meaning, lower educated and poorer, and people of color, went first and more often. Until 1967, more African-Americans died than anyone else, until Civil Rights leaders protested so that African-American soldiers were dispersed and were not all sent to the worst areas and given the worst assignments.

All of this I learned in this documentary.

There were a couple moments in interviews that struck me the most, one was an African-American vet who was there during the Nixon years, when everyone knew they were just doing time and there was not even a pretense that they would win. However, they had to try to stay alive. He had to go check a Viet Cong tunnel, and in the course of that, discovered someone was in there when he felt the other soldier's breathing. They had a fight and in the dark he strangled this Vietnamese man to death. He describes this event calmly, but says it was terrifying, because he had never killed anyone before. He then says, "and that wasn't the only casualty. The other casualty was the civilized version of myself."

He also mentioned about how a white vet under his command didn't want to take his orders, and how he was called "n...r" by many white soldiers and an Uncle Tom by people at home for being in Vietnam. In other words, he couldn't win.

The vets also all talked -- and this includes the Vietnamese vets on all sides -- about how no one wanted to hear about anything they had been through, and how (in US) many were attacked verbally and physically upon coming home. The South Vietnamese were not even allowed to mention their dead or mourn publicly. In the last episode, an American woman who had been a protester interviewed earlier about that, talked about the first time she saw the US Vietnam War Memorial, which is a large black wall with the names of the over 58,000 Americans who had died, and started crying and saying how sorry she felt for what she had done and said at the time to the vets when they returned. She said--rightly--we were kids, too.

What becomes clear in terms of the ground level -- is how young everyone was. The soldiers on both sides, most of the anti-war activists in the US.

What is also clear -- given poll numbers cited -- is while people were increasingly opposed to the war, how Nixon was able to exploit the idea of the protestors as anarchists, etc. so that by the time Kent State happened, 58% of people polled thought it had been their fault that National Guardsmen opened fire on them and killed four young people, including an ROTC scholarship student who was just an onlooker.

The full film reveals in part how the divisions sown then, based in no small part on the class differences of those who went and those who could defer (though to be honest some of that could be made clearer), are at play now.

I think the best solution to beginning to heal that seemingly impenetrable rift is to allow things like this documentary to become part of our collective lexicon. Not like it's going to change things overnight or act like a bandaid, but to take a moment--or eighteen hours-- looking back, and seeing the mechanisms that allowed this to play out...maybe think how it relates to now, and how we can act differently.

But aside from all that, I encourage everyone to watch this documentary just to get a sense from so many different angles (no, not every angle and no not perfectly but most--and if anyone watches closely The Whole Thing you cannot think it has not tried in good faith to do so) of what got us into, kept us in, and made the leaving of this 30 year war such a series of tragic blunders and at times cynical and self-serving decisions that prolonged suffering for so many. On all sides.

If you did not live through this period of time or with a vet in the aftermath (as I did), then even more so, I ask you to watch this so your idea of Vietnam is not confined to Deer Hunter, Platoon, Rambo or Full Metal Jacket. The reality is far more complex, far stranger, more tragic, more horrific and more related to where we are now in this country than you can probably imagine.

Is this documentary perfect? Absolutely not. Are there aspects of the war left out? Yes. Because while it's 18 hours long, the Vietnam War for Americans lasted 30 years. Burns and Novick had to make decisions. I might have made different ones. You might have made different ones. We may wish they had analyzed certain aspects more, etc., etc. But still and all, it's worth it.

Near the end of the documentary, we see a number of the vets we have seen interviewed throughout the course of the documentary as their younger selves, hurling their metals at the steps of Congress, from which they had been barred by a huge wire fence. The vets had been barred -- after Kent State -- from going to Congress to tell their experience of the war.

My stepfather, David, also hurled his medals, though not in D.C. but in a parallel protest in Portland, Maine, where we were living at the time. He had seen four of his friends, two in close range, killed by "friendly fire" when the green base commander mistook a couple kids breaching the first perimeter for an incursion and called fire in on his own troops. This included fleshette bullets, the kind that rip your flesh apart from the inside, fired at Americans by Americans. This is why he was officially diagnosed - eventually many, many years later -- with PTSD. He was at a base near Cambodia that was very remote, and had been a French rubber plantation, just to add a little Apocalypse Now into the mix. They were attacked twice and the soldiers at that base were so jumpy because of these attacks that when they went to the bigger base near Saigon they were allowed to keep their machine guns with them on the base, because they were too frightened to not have them. His story is not in the documentary, but aspects of it are, disbursed through multiple stories. This is why when he had to save me from a dangerous situation when I was 10, it reminded him of Vietnam and triggered a major PTSD episode, one that led to many important decisions in my life and his. The only good thing that came out of that was his play G.R. Point.

I have more to say about this--especially as it relates to my own experience of watching someone's PTSD take over his life and then mine--and how long it was before this was understood by anybody, and how much of the trauma for so many this caused and causes has also led us where we are, and relates to any number of medical/mental health and addiction issues we are coping with in this country. However, for now, I will end here.

I have had to sleep for nine-ten hours a night after watching each episode. For obvious reasons this is personal. But even if you don't think this is personal for you, it probably is. There is someone you know who was either directly or indirectly damaged by this war. Meanwhile in Vietnam, 3 million people were killed. 1.5 million soldiers and 1.5 million civilians. This documentary was translated into Vietnamese and is being shown there now, too.

That...is incredible.

Sunday, May 28, 2017

Memorial Day: this time for David.

David Adams Berry (1943-2016)

Fuck.

I don't know how to write this. I am looking at this photo and all I want to do is cry. This is David as I will always remember him, the David that I knew when I was a girl and teen. The David that was my stepfather. The one who came back from Vietnam a wreck, not only because of Vietnam but also because he came back early because his mother had died, and he needed to take care of his younger brother and sister.

The David wearing his army hat, the one with the three bullets in it, one for each of his friends that died from 'friendly fire' in Vietnam, the friends that haunted him and propelled him to write G.R. Point, his brilliant play about Vietnam, set in Vietnam and put on Broadway in 1977, too soon for people to be able to appreciate the complexity of his experience there, anyone's experience there.

David was always haunted by Vietnam, and having been born into WWII, that war also haunted him. The family cottage in Maine with the hooks for the submarine nets and him dreaming of U-boats coming into Casco Bay and how he would save everyone miraculously from them - a hero from a comic book no doubt. He wasn't stupid in 1968 when he graduated from university. He knew Vietnam wasn't WWII, but he also knew he had to go or someone would have to go in his place, so he enlisted. He came back the way I remember him: the person who saved me from a very scary situation when that was necessary, and also the person who was pushed into a dark place - what we now call PTSD but then was simply ignored and misunderstood - after seeing where I had been trapped. He always said to me the room he found me in reminded him of Vietnam. That was in 1974. Watergate was happening. Vietnam was 'lost.' We were lost. He was a young man working at a theater company. I was 10. All the other kids at my school had fathers working at Electric Boat making nuclear submarines.

This all happened. Life in the 1970s is impossible to describe to those who were not there, how lost everyone was, how feral we kids were, because all the adults were so so so lost and the world was just coming unglued in every way.

It's easy now to be nostalgic for that time, since the unglued seems to now be superglued into some kind of late-capitalist spectacle wherein we are trapped in a dystopian Disneyland where most people have to live underground to prop up the illusion above and penalties are imposed for taking off your costume. And if you think David would take issue with this description or think I was getting 'too political' in this moment, you would be woefully wrong.

After 9/11, David and I met at a cafe. We both lived in NYC, him in Brooklyn, me in Yorkville. We met somewhere downtown, maybe Cafe Orlin, I don't know. And we both just looked at each other and laughed and cried and knew that we were seeing the same thing, the fake innocence having been pierced by the reality we both knew had been lurking all along thanks to our multiple interventions for oil. The rage at the manipulation machinery being unleashed, wherein any tears of ours for the real wounds of our own city would be used to start another stupid war. Yeah, we knew that, a week after 9/11 in NYC, and yes that is what we talked about.

This is why it is incomprehensible to have to live this life - especially now - without him here. And why I regret bitterly how little time we spent together in the past few years - that laziness that comes from living in the same city but not close by - we'd always see each other 'soon' or another time or whatever. And we didn't and then he died of a heart attack. Just like that. Just like 9/11 except personal. One moment life is one way and the next moment it's another. Just like the friendly fire attack that killed his friends in Vietnam. Just like the moment his mother died in his sister's arms while he was in Vietnam. One moment the world is one way and then just as suddenly, and without warning, it changes.

Grief is not convenient. Grief doesn't give a fuck how you feel or what you want to accomplish. Sudden death is the same, whether it's a heart attack, a bomb, alcoholism or an embolism or people flying planes into buildings, or a miscarriage, there is loss and you are reeling, and there is no sense to be made. And yet you scramble to make sense or others try to make sense for you and most concern is simply people's desire for order being imposed on you - please, they say, as they ask how you are, please don't tear the fabric, please don't make me doubt my reason for going on, please don't be inconsolable. And then there are the other people, the angels in disguise, who don't do that, who demand nothing, who can hold space for all your feelings, but even they - I am sure - get tired, because there is no way to allow in for real the swooshing void that real grief is and demands. There is no way to do that and remain wholly sane, as in functional in this world as it is, this world we have created at least in this country that does not allow for grief, that demands relentlessly productivity and some kind of facsimile of optimism and what the fuck is that but again the stupid Disney dystopia gussied up as 'concern.'

And this for me is my messy Memorial Day, because David was first and foremost a Vet, a Vietnam Vet. A war so crazy we still can't wrap our minds around it, and I imagine Iraq and Afghanistan is the same, but we don't know as much about that because that information is so tightly controlled and we have sent out a force of men and women that are separated so much from the general population, though I teach many of them and I can tell you each and every one of the recent vets suffer PTSD (this is self-reported - I am not exaggerating). And I am so sad about David because I know part of what killed him so out of the blue is the insane political situation in which people who have no military experience at all and have never had to risk even a thumb scratch send young men and women to kill and die mostly to enhance their own profits and say it's for our security, which is manifestly insane, given the fact now we have violence everywhere and these same politicians won't lift a finger to get guns off our streets, which are killing more people than any so-called terrorist (meaning of color of course). And David also was gay, something he wasn't allowed to be in the 1960s in Vietnam, but was and held as a secret, held until the 1970s when he couldn't hide anymore and neither could anyone else and yes it's better for gay people today, but let's face it, it's still no picnic and all the violence unleashed against anyone different, he felt that.

And so many people looked to him to protect them and he didn't have anyone to go to protect him, he who had both his fathers die when he was young, trying to be the big man, the protector from so young, and knowing he was gay in the 1950s and 1960s - just try to imagine this. Try to imagine. All that, all that he brought to his writing and to his friends, so many friends he had, he had a talent for friendship, people loved him fiercely, his students loved him fiercely and he loved them the same way and we are all, all, all so lucky to have had him in our lives.

I think my mother in some ways was his protector, and that is why they were married as long as they were past when it was feasible for obvious reasons. He protected her, too. And it was only when he died that I realized - too late, too late, too late - that as bizarre and Absolutely Fabulous our strange family was - it was a family, my family, the family I grew up in - the one that formed me, and even though my mother remarried an absolutely lovely, humane, intelligent, generous, beautiful human being when I was in college, my life, my childhood, my whole personality was developed during the tumultuous late 1960s-1970s with my mother and David and all the people drifting in and out and all the danger and the joy and the stupidity and of course the end of it all, namely AIDS, which devastated most everyone around us except - shockingly - David.

And here I am and it is Memorial Day and I am writing this and there is salsa playing loudly outside on the street in the summer breeze - competing salsa I should add - and dominoes being plunked down onto tables and young women taking selfies and kids throwing balls and me in my room typing and typing and typing as if it matters, as if it's even possible to talk about grief, as if there is anything but loss.