Bye bye 2019 and the 2010s...I am ready for the Roaring Twenties.

I wanted to write a year summary and felt daunted, then realized it should be a decade summary and was more daunted. This decade has been a rollercoaster from start to finish.

A thumbnail (the details are all here in this blog, at least from 2011 onward, with reference to 2010).

At the end of 2009, things were looking up. I had finally finished my PhD and was dragging myself out of the worst of the grief over my miscarriage in 2007, a day after my wedding.

But at the very end of the year, my 19 year old cat died while I was in the US (at the time I lived in London) and then on that day I had what turned out to be the last phone conversation with my father on his birthday (same day my beloved cat died). A few days later, at the beginning of 2010, he was rushed to ICU, and I flew out to Sacramento to see him before he died. I have written about that prior, but that floored me...but also clearing out his storage area I found photos of my grandparents when they were young. So while I was in a grief fog clusterfuck, I also found a seed of what would become my life for most of the decade, writing about my grandmothers. But first, months of grief fog for a father I barely knew, who I lost twice, once in life and then again in death.

This decade has been like that. Oh joy, then death, then in the death grief fog a seed...and something grows...then joy, then death, then...rinse repeat.

My second marriage, begun with such hope and joy that was cruelly crushed the first day of our honeymoon (the miscarriage), was disintegrating in slow motion by 2010 and by 2011 had ended. That along with wanting to work on this book about my grandmothers—which desire also had contributed to my closing up my London based theater company, Apocryphal—led me to make a leap with no safety net back to the states. I say no safety net because when made decision no job or place to live, but I was rich in friends, one of which let me stay at her place to make that decision.

In the summer, I spent time with my cousin Darcy, celebrating her remission from cancer, and  researching our shared grandmother, my mother's mother, in Minneapolis. Earlier that summer I met the lost part of my grandfather's family, lost because he had had to change his name during the Red Scare to save his job. I found clues to his real identity in all the stuff in my father's chaotic storage unit in January 2010. Again with the seeds.

Then, poof, back in NYC...where I discovered Inwood at the top tip of Manhattan when trying to find someplace I could afford, and moved here. That was a great find. The parks, the green, and then in October, the beginning of autumn in Inwood Hill Park was a revelation. This was October 2011. I had found a job at Bronx Community College and then later at Hunter.

Ugo the IWW (Inwood Writing Workshop) cat

A month later, I adopt Ugo the cat, who I found online at WaHi Cat Colony. He was an adult cat, so harder to place and still available. When I saw him, I knew he was mine.

I then am shortlisted for a full-time teaching post back in UK in May 2012 and fly back to interview and audition for it. They choose someone else. My ego is bruised, but I am so grateful for the ability to come back to NYC that this is the feeling that takes over.

My stepfather Tom sends me a lovely affirmative note about this.

A week later, Tom is in the ICU. He dies a few days after my birthday, Bloomsday (during which I read him Ulysses) and Father's Day. I am holding his feet when he dies and feel giant waves of love that almost knock me over. I am devastated and moved. I have a dream of a net and a diamond. Indra's Diamond my mother says. She is more bereft than me. Who wouldn't be?

I end up finding my own apartment on the top floor of a five-story walk-up in Inwood. Tom left all his kids including me (his step-daughter) a small amount of money, which was enough to furnish a new place (with Ikea and Housing Works and Freecycle). I got it all ready for me to live in, including my own study. I began to work more in earnest on my book. And decide to take some extra time to sort out my life.

Then comes Hurricane Sandy. Happily, my apartment survived and Inwood had electricity, so was able to host people up here who were stranded downtown. Sadly, we lost some huge trees in Inwood Hill Park. The beginning of understanding how vulnerable NYC is to climate change sinks in.

A couple months later, a friend who I had met at a meditation retreat where we were accidental roommates talks me into online dating, and I meet my future husband almost immediately.

Didn't see that coming. I was just trying to get a date before I turned 50.

John and me in Montreal at Botanical Gardens Valentine's Day 2013

Much happiness ensues of course, because it's super fun to be in love. Then of course all the issues rear their head about money and citizenship, since he is Canadian. Very long story short, we do everything by the book and he ends up down here, but there was a bunch of stuff he had to deal with in Canada and that all was way more complicated than he would have wished. We survived it all, but it was challenging, as in years of being challenging, in an apartment I had chosen for me alone, not two people.

On the happy side, I kept working on my book, got support from a crowd-funding campaign (all this is in blog circa 2014) and other votes of encouragement. John helped me with all of this and has been a relentless (in a good way) cheerleader of my work. I was given fellowships to residencies, and that helped, too. I directed a staged reading of ''whatever God is..." and Ian W. Hill directed My First Autograce Homeography (1973-74) at The Brick, all in 2014. My first short story publication as an adult also happened in 2014 with The God Thing, which has since been nominated or been a finalist in some awards, which is gratifying.

There have been many highways and byways with the book, The Amazing True Imaginary Autobiography of Dick and Jani, and with luck it will get published fairly soon. That is a long story that I cannot give details about, because much is in process. But it had been a steep learning curve for a theater chick to figure out publishing, and wow, it's different, but OK.

However, I was beginning to figure stuff out and making some headway when I came back from a lovely yoga retreat at Kripalu in December 2016 to a phone call from my mother that David Berry, my ex-stepfather, the playwright, had died suddenly of a heart attack, boom. I have written about that a lot too. But his sudden death floored me. It was two months after the DTs struck the US, and I was convinced that is what killed him, a gay Vietnam Vet artist. What greater insult than a homophobic insane person who had 'bone spurs' that he used to weasel out of service in Vietnam.

I lurched through another series of months in a grief fog, but also managed to finish another book I had begun in September. However, I was adjunct professoring, and it was killing me. I was exhausted all the time, and the pay, in case you don't know, in terms of hours work, is basically minimum wage.

I realized it was killing me right around the time I read a book that is the most iconic book of the decade for me: The Body Keeps the Score. I mark the time I read that book (early 2017) as the moment when I realized I was not a broken toy. But instead had a normal response to severe traumatic events. I cannot overstate how important this moment was. How healing, and how much my life has changed since.

From then on (Feb-March 2017), I mark as an existential shift in my understanding of myself and the world. I quit being an adjunct and decided to go full-time freelance, which has worked better than I could have dreamed. I decided to go to Westray, one of the Orkney Isles in Scotland in June, where I had not been since 2010. I had written my PhD there, and fallen in love with Orkney in 2003. It has always felt like a spiritual home, and some part of me feels severed from my soul until I get back there. I had postponed this trip a number of times because of my relationship with John and trying to work out schedules and time, etc. But I knew this time I could postpone it no more. My mother and John were going to go with me, but then could not for separate reasons.

Two stones from Ring of Brodgar in Orkney

Dear reader, I went anyway. And that made all the difference.

I stayed on in the olde Manse overlooking where the North Sea and Atlantic meet and revised my second book, Girls Meeting God, to get it in shape for submission, and taught my first ever private writing workshop, on this small Orkney Island, which was a  success and a revelation.

John meanwhile was able to sort out his Canadian albatross, and so when I returned, we were in much better shape on many levels.

Thus began the life I have now: writing, teaching writing workshops, coaching writers, reviewing manuscripts, editing, and sometimes back to theater.

Speaking of which, when the #metoo movement began in 2017 that allowed me to write my stage text On the edge of/a cure. Working with MoveOn and their text team to help elect Doug Jones in December 2017 allowed me to have a reading of this play. I did not realize until seeing this political work effect a positive change how paralyzed I had been...ever since watching DT stalk around behind Hillary Clinton on the debate stage. I could not move during the debate. Literally. But did not realize how totally paralyzed I was in terms of a certain kind of voice until I wasn't.

On the edge of allowed me to speak about things in a way I never have done before. It was also possible because of reading The Body Keeps the Score and Leigh Gilmore's Limits of Autobiography. In 2018, another play I had written in response to another trauma response I was having because of various terrorist incidents, Shit, was produced by IATI as part of their play development program. I got to see another director work with my texts and that was lovely.

Other reading that inspired me along this journey include Elena Ferrante's Neopolitan Quartet, Joan Didion's everything, Jennifer Egan's writing, and the ongoing ever present influence of Doris Lessing. With some key assists from James Baldwin and David Foster Wallace. Yeah, it's weird, I know that. If you know me, you understand the breadth, depth, and gaping holes in my weirdly selective knowledge of Whatever.

2018 saw the expansion of the freelance work, up to and including starting a retreat for other writers in Westray, an experiment that succeeded enough to repeat it in 2019, twice, and yes, going again in 2020. I also tried again in the spring of 2018 to heal from the traumatic miscarriage in 2007. I went to a workshop at Kripalu hosted by outside teachers that was so wrong it was almost hilarious. But  when I went to the Kripalu yoga classes I felt at home. I made a decision: I would become if at all possible a Kripalu yoga teacher so could be part of carrying on this important lineage, which is the opposite of spiritual bypass faux positivity crap that makes my skin crawl.

Back track to the shit storm of 2016, to remember that was the year also that my beloved cousin Darcy's asshole cancer returned. So the drumbeat underneath all my activity was: how long does she have left and how could I help? The answer was: all I could do was make phone calls and send crystals and gifts when possible, and she would die in September of 2018. My biggest fear in leading the retreat in 2018 was that she would die before I got home. Instead I just got a severe case of frozen shoulder. And the news Girls Meeting God was a semi-finalist for a book prize. The gods are fucking weird. In 2018 John was able to travel to Westray with me, and we had a week together as a 5-year-delayed honeymoon, so that was cool, too, but again all was overcast with the reality of Darcy's illness, the shoulder, and starting a writing retreat. Someday, we will have a proper honeymoon.

I was able to get to St. Paul at the end of August to see Darcy before she died. I wrote about that, too, and someday maybe that will get published. It took me well over a year to write about it even as a short essay. She was the closest I ever had to a sister so the word 'cousin' doesn't cut it as a term to describe her meaning to me. Suffice to say her dying plummeted me into a grief fog that was so complete, I have almost no memory of autumn 2018. I do remember trying to revise my book and sending it in, leading a workshop somehow, going to her memorial in November and then my memory does not return until December 2018 when I went to a very good healing workshop run by Aruni, who is a Kripalu veteran teacher, on grief, loss and renewal. Without that series of days and sharing with a few other people who were equally poleaxed by grief, I am not sure I would be functional.

The one thing I was able to do consistently throughout 2018 was text with MoveOn and that helped the Dems flip the House anyway. Did thousands of texts a day, like clockwork. I am proud of the work I did and the many, many others who did so, too.

Then in 2019 I focused on healing. I had intended to do yoga teacher training in October 2018 but my shoulder ixnayed that. (The body Does keep the score.) I began studying Qi Gong with Alicia Fox, which was transformative. I decided not to try to write because I was exhausted. I taught two workshops, though.

Artistic discoveries of this year that were revelatory include Hilma af Klint at the Guggenheim in January and April, her paintings gave me life. The fact she knew a hundred years ago her work was not legible until the future was amazing, and now they quiver with meaning. In October, I discovered Betye Saar at the new MoMA. She is in her 90s, and only now being discovered. If you are a female artist, you best live long to see your work recognized in your own lifetime.

Graduating on Summer Solstice at Kripalu

I also directed a staged reading of On the edge of/a cure. That was both incredibly healing and challenging work that took place between February and May 2019. By the time I was done with that, I was ready to finally do the Kripalu yoga teacher training in June, which shifted me irrevocably. It was the capstone I intuited it might be that drew all the parts together, all the fragments somehow settling into one person. I have written a lot about that, too, but mentioning it here again because key to so much. Getting underneath fixed, linear story has been a cornerstone of my artistic project and lo and behold it's the cornerstone of yoga, too. Fancy that. But to embody this rather than just have an intellectual or artistic framework is a whole other level of living it.

At the 2018 retreat I worked on a novella and short story. The short story White shoe lady won the Nomadic Press chapbook contest in May and was published in December, and the novella I am about to begin revising. In the 2019 retreats, I began writing about my nonlinear journey through yoga. I am writing a lot now. If I had not allowed myself the long down time, though, I don't think I would have the reserves I do now.

During 2019 my workshops and retreats doubled and I now have numerous coach clients, and my own work is beginning to find a home. I am now teaching yoga, which may not seem like a big deal, but me it is huge, because to teach the way I do means embodying radical self-acceptance and compassion, so it keeps me honest.

the shelves that John built! So much more space & writing can breathe (me too!)

And equally, I spent the last week before Christmas organizing my office and the last few days doing the same thanks to John building me new shelves. John is doing well, too, in school and full time work, thriving in a city he moved to in his fifties, not a small thing.

In other words, instead of rushing off somewhere Else to heal or whatever, I am here, in my own space, in my own skin, in my own life. I am 56. It has taken this long. Oh, and I finally created a website, which relates to all this, because I brought together all my various moving parts. The Unadapted Ones. Check it out. Most likely my next blog post will be there, the one that greets the New year and new decade. This is the one that sums up the decade this blog covers. Maybe I am more settled now. I fear saying that, however, less it calls upon a real or psychic earthquake... I began this blog in lieu of a website in 2011. I wasn't sure what I wanted to be when I grew up...

For 2020, I am present and accounted for, accepting reality as it is rather than as I would hope or fear it to be (as much as possible, understanding no one human ever totally can do that). If I keep staying sober one day at a time in February, I will be 33 years clean and sober. I should add without that rock solid ground, None of this is possible. And without the companionship and counsel of many other people who also stay clean and sober one day at a time, I would be bereft.

So...Happy New Year. Happy New Decade.

Find what brings you joy and go towards that more. Accept what is weighing you down is in fact weighting you down, and if possible, slough it off. And if you have any trauma in your background, and you have not read it yet, for the love of all that is holy read The Body Keeps the Score.

Let's help carry each other to shore.

path to Maes Sand outside of West Manse in Westray

the water the shore the distance the light the shadow...Westray

le puffins at Castle O'Burrian, Westray

on unconditional love and grief

It is a year since my beloved cousin Darcy died. I wrote a letter to her for her sons, at the behest of her husband. He had asked those of us close to Darcy to write memories down while they were fresh and she was still alive. I wrote and sent mine to him a couple days before Darcy died, which was a few days after I had visited them in St. Paul. Because my sadness today puts me at a loss for words, but I want to honor this anniversary, below are excerpts (with some adaptations for public context) from that letter. And below that are a couple photos.

***

Dear Darcy,

My first memory of you is Jani telling me about how you and she picked strawberries. She clearly adored you, and I was so envious. You were the granddaughter in Milwaukee, the one of whom she was so proud. 

We first met when I flew to Milwaukee for Jani's memorial service. You were (almost?) 12. I was 16. You told me years later Jani had told you all these wonderful things about me and you were intimidated, but there was no need. I was just a scared, freaked out teenager. But we got along as I recall, though to be honest my memory of that time is hazy, other than a very strong felt-sense, that I think most likely emanated from you and your mother, which was of warmth. I was attending a boarding school in New England on scholarship. Warmth was in short supply. 

Because of so many reasons, great and small...we were not in touch again until we were much older. We met again at my parents' dining room table in Maine, and I remember feeling: we are related. I remember also feeling: I don't feel related to anyone else. Because I had never had that feeling until meeting you again then. It felt strong. I finally understood the phrase: blood is thicker than water. As an only child with a fairly random-chance childhood, I had never felt this.

Was it the tilt of your eyebrows? Your sense of humor? The mix of deep warmth and deep skepticism? A certain depth of soul that I find rare, maybe not because depth of soul is rare, but perhaps it is not always easy to recognize in those to whom we do not feel kinship. We were both Jani's granddaughters. That was clear.

The time we got to spend in Maine in 2004 was a gift. S was 4 and L was a baby. J had to pick me up at the Portland bus station because I had made the mistake (never to be repeated) of taking a cheap bus line to Boston that literally burst into flames on the highway. All were safe but sat at the side of the road for ages. I barely new J but as will come as no surprise to you or anyone else, he was gracious about this late night guest washed up hours away, and we had a nice chat back to Damariscotta.

You and I had time to talk, but this visit was about your mother, Carol. She was dying of breast cancer then. You were so worried about her and doing everything you could to make her comfortable. Meanwhile, you asked me about my own life and affairs of the heart. Again, the warmth. 

And from Carol, too, who was insistent we go on the whale watch come hell or high water. Sound familiar? It should. And that was a lovely day. Carol was happy. I think it was hardest on you, though, because you could see her pain. You are always so aware of your surroundings, and especially the cares and concerns of those who are lucky enough to bask in your love, which I think is infinite. I know you would scoff at that and tell me I'm exaggerating, because that's what you do, and like me, you find every reason on earth to be on your own case, but I wish at least for this moment, you could stop and see yourself how I see you: loving, kind, crazy smart, funny, wise, and yes sometimes sad and angry, because why wouldn't you be? But always present. Always. Present.

Another lovely memory I hold in my heart is the time I visited you all in St. Paul in 2011. I think James picked me up and my first memory of your house is L marching me up the stairs (he was 8) to meet his plastic figurines. One looked like a Dr. Who character, which led to watching Dr. Who (with parental agreement of course). L loving it, S being afraid of the monsters, and asking me about them, walking down in his PJs with James to make sure they weren't real, asking for a hug. I was stunned that an 11 year old could speak so articulately about his feelings, but then again he had you and J as parents, so why should it be a surprise?

Once again, unplanned, I was an emotional wreck because of my second marriage ending (I took on this aspect of the Jani personality apparently). And you wanted to help, and I wasn't having it, and you - in your warm way - basically told me I was being an asshole. Which I was. You were right. I have always been grateful for that conversation. You probably don't remember it that way, but it was done with such kindness, it didn't hurt, because you said it from love.

Other times during that trip included lovely moments like sitting on beanbags (I think they were?) in Walker Art Center watching a slideshow of Nan Goldin's photos of children, so beautiful and So unsentimental. Her aesthetic suited us both right down to the ground. We also went to a yoga class together that I loved instantly, gentle and wise was your yoga teacher. Afterwards, we discussed without going too far the senses we got there. The intimations of things not seen. Larger than us.

This is where I feel the most connected to you in the end.  I know you are agnostic, whereas I believe deeply in something I cannot explain but has saved me one too many times to be easily dismissed. But I think deep down you have had this experience, too. 

I remember too and will never forget our brief - all too brief - goodbye conversation on the sofa when you told me about dragonflies, that they are ancient but live such short lives, and in their short lives they are so busy - mating, making more dragonflies… but how you loved it when one would alight on your arm when you were younger. You were somehow wanting to link to this to the fact that it was OK we were saying goodbye. You could not remember what you wanted to say, but I think you said it:

Ancient but brief. Something about life. About our connection perhaps? It is how I feel it anyway. S walked in the door soon after that, your brother had driven him from Grinnell. The mood changed, and then I did have to leave, it was so late. I don't remember the actual moment we said goodbye, perhaps because we said it a number of times that night. You told me you didn't think you were dying "right" and I feel like I didn't say goodbye "right" - which for both of us was precisely: typical.

These are snapshots. There is so much to be said. There is nothing more to be said. You are my heart. As are your sons, and I hope they know that. If they ever want deep background, I can give them the book that is half about Jani, who is an influence like no other. I am here for you always, and them, too.

You wrote once you loved me to infinity. And I wrote back I love you to infinity and back.

And I do.

I love you to infinity and back.

Julia xoxoxo……

Darcy on left with brother Jonathan, sitting on legendary Jani's lap

Darcy and me in Maine in 2004, her young son's head visible

Call the Midwife, memorial, grief, old photos, and the unadapted

I have not blogged since my cousin died, except to say she had died. Her memorial was on November 11, and I was in St. Paul until November 14. Much has occurred in these past two months, but I was in a limbo that accords with the silence, though I was working, too, on various writing projects - editing a book and starting up a new one, sending out shorter pieces and such, also teaching my writing workshop.

But mostly in a haze of grief. The memorial was wonderful, and helped to say goodbye, and in some sense feel released because of it, that and going through all her photos, helping to sort through them, and finding in the midst - photos of me and my family as well as hers. Felt like some kind of deep ritual going through all those photos.

Also in the midst of this was texting for the midterms, something I did for myself and also in honor of Darcy who was political, engaged and would have cared deeply about the outcome of the elections, and been thrilled to see the gains, especially in her childhood home of Milwaukee.

I have also discovered the show Call the Midwife, which of course started a number of years ago, but I did not watch it until now, but can thanks to Netflix. This show is a quietly subversive piece of genius, and also gives an insight into the world in which I was born. Has not yet reached 1963 but am close in Season 5, and while also not born on East End of London, instead in Providence, RI, the world and the pressures, especially on women, were very similar. And affected my mother and therefore me a great deal. If you want a good view into what it looks like when abortion is illegal and single women can't keep their children, this is a good way to see the human cost, even with way more social support than women had here in the US in the same time period.

Something else brought up in the show is the use of thalidomide, which made me think about how I think about being born when I was, what makes people born in a fairly narrow fulcrum time (neither Boomers nor X-ers) unique, and I realized in part we are also the thalidomide generation - the babies born on the cusp of what was considered the victory of modern medicine, that turned out to be not as all-encompassing as thought, and in fact began the realization that what could be considered a wonder drug can then turn out to cause great harm, in this case to the babies born of mothers who took the drug under instructions from their doctor. While this ended before I was born, because the effects became known by 1961, this feels like part of the world in which we arrived. One that began to question itself again after the post war "boom" of supposed optimism, etc.

In any case these are the things I am thinking about and seeing lots of photos from the 1960s and 70s increases this awareness of how different the world was that I was born into and grew up in, which is of course what everyone says as they get older, but the shifts are jarring nonetheless.

As is incredibly obvious right now, our lives - those born in the early 1960s - have not been a victory march. Yes, there are have been jolts here and there of progress, sometimes great leaps, but right now here we are in a precarious place, with hopefully a tide turning but we still have to see if that is real. Which again feels very familiar.

I am thinking about all this because of having been to Darcy's memorial and seeing all these photos, including of her father and mother, and my grandmother, Jani, and the history of political activism and social engagement in my family all the way back as far as the eye can see. So when I speak of these things it's not "just politics" but also engages with the deepest strains in my family. Not all of it pure of course, and some of it downright awful, but this engagement and desire always to create a better, more just world the beating heart of the family legacy...with an equal and opposite shadow side, which is pretty much par for any course I've seen so far in my 55 years on this earth, such as it is, such as I have had the privilege to see. Not everything—some have seen and done far more than me—but I have seen and done quite a bit, and so far: no utopias in sight.

No pure dystopias either, I should add. Every place having its own weird mix of shadows and light, and underneath it all the contingencies of individual lives always falling off the charts, never going according to plan, messing up the works and all the perfect theories, stratagems and predictions.

This is what I cling to most in fact, this understanding, that beneath whatever obvious surface there is a lot more going on—in social bodies, individual bodies, cultural bodies, national bodies, ecological bodies....things happening that are not visible, perhaps not even to the person or people involved, the key to unlock the prison gate, always being created at the same time as the prison is being built.

So, where are we now? Damned if I know.

But I am here now, writing this, glad of that, sad beyond measure I cannot talk of these things with my beloved cousin Darcy, closest to a sister I will ever have, but so grateful I was able to have seen her before she died and be there for her memorial, to know that I showed up for all of it, and not only that, I wanted to show up for all of it. This was not some virtue thing, but a deep desire to honor her. I have to believe this impulse is what the best of human is about. When we can grieve our beloveds, and tell them how much they are beloved before they pass from our grasp.

I have so many other things I am thinking about these days, but this feels like what is important to say now.

Tides are..tidal, so anything I say is inherently impermanent, contingent, just for now. I'd love to come up with something timeless, but not sure that is a real thing.

As William James so brilliantly pointed out in The Varieties of Religious Experience:

"...There are in reality infinitely more things "unadapted" to each other in this world than there are things "adapted"; infinitely more things with irregular relations than with regular relations between them. But we look for the regular kind of thing exclusively, and ingeniously discover and preserve it in our memory. It accumulates with other regular kinds, until the collection of them fills our encyclopaedias. Yet all the while between and around them lies an infinite anonymous chaos of objects that no one ever thought of together, of relations that never yet attracted our attention."

Guess what I'm interested in?

Yes, of course. You already know. The unadapted. Those relations which have "never yet attracted our attention."

I think maybe if I had to guess, this is why I've been plunked here on this planet. To learn to pay close attention, and attempt to play, write, draw, paint, create what I notice...and help others to do the same.

Memorial Day: this time for David.

David Adams Berry (1943-2016)

Fuck.

I don't know how to write this. I am looking at this photo and all I want to do is cry. This is David as I will always remember him, the David that I knew when I was a girl and teen. The David that was my stepfather. The one who came back from Vietnam a wreck, not only because of Vietnam but also because he came back early because his mother had died, and he needed to take care of his younger brother and sister.

The David wearing his army hat, the one with the three bullets in it, one for each of his friends that died from 'friendly fire' in Vietnam, the friends that haunted him and propelled him to write G.R. Point, his brilliant play about Vietnam, set in Vietnam and put on Broadway in 1977, too soon for people to be able to appreciate the complexity of his experience there, anyone's experience there.

David was always haunted by Vietnam, and having been born into WWII, that war also haunted him. The family cottage in Maine with the hooks for the submarine nets and him dreaming of U-boats coming into Casco Bay and how he would save everyone miraculously from them - a hero from a comic book no doubt. He wasn't stupid in 1968 when he graduated from university. He knew Vietnam wasn't WWII, but he also knew he had to go or someone would have to go in his place, so he enlisted. He came back the way I remember him: the person who saved me from a very scary situation when that was necessary, and also the person who was pushed into a dark place - what we now call PTSD but then was simply ignored and misunderstood - after seeing where I had been trapped. He always said to me the room he found me in reminded him of Vietnam. That was in 1974. Watergate was happening. Vietnam was 'lost.' We were lost. He was a young man working at a theater company. I was 10. All the other kids at my school had fathers working at Electric Boat making nuclear submarines.

This all happened. Life in the 1970s is impossible to describe to those who were not there, how lost everyone was, how feral we kids were, because all the adults were so so so lost and the world was just coming unglued in every way.

It's easy now to be nostalgic for that time, since the unglued seems to now be superglued into some kind of late-capitalist spectacle wherein we are trapped in a dystopian Disneyland where most people have to live underground to prop up the illusion above and penalties are imposed for taking off your costume. And if you think David would take issue with this description or think I was getting 'too political' in this moment, you would be woefully wrong.

After 9/11, David and I met at a cafe. We both lived in NYC, him in Brooklyn, me in Yorkville. We met somewhere downtown, maybe Cafe Orlin, I don't know. And we both just looked at each other and laughed and cried and knew that we were seeing the same thing, the fake innocence having been pierced by the reality we both knew had been lurking all along thanks to our multiple interventions for oil. The rage at the manipulation machinery being unleashed, wherein any tears of ours for the real wounds of our own city would be used to start another stupid war. Yeah, we knew that, a week after 9/11 in NYC, and yes that is what we talked about.

This is why it is incomprehensible to have to live this life - especially now - without him here. And why I regret bitterly how little time we spent together in the past few years - that laziness that comes from living in the same city but not close by - we'd always see each other 'soon' or another time or whatever. And we didn't and then he died of a heart attack. Just like that. Just like 9/11 except personal. One moment life is one way and the next moment it's another. Just like the friendly fire attack that killed his friends in Vietnam. Just like the moment his mother died in his sister's arms while he was in Vietnam. One moment the world is one way and then just as suddenly, and without warning, it changes.

Grief is not convenient. Grief doesn't give a fuck how you feel or what you want to accomplish. Sudden death is the same, whether it's a heart attack, a bomb, alcoholism or an embolism or people flying planes into buildings, or a miscarriage, there is loss and you are reeling, and there is no sense to be made. And yet you scramble to make sense or others try to make sense for you and most concern is simply people's desire for order being imposed on you - please, they say, as they ask how you are, please don't tear the fabric, please don't make me doubt my reason for going on, please don't be inconsolable. And then there are the other people, the angels in disguise, who don't do that, who demand nothing, who can hold space for all your feelings, but even they - I am sure - get tired, because there is no way to allow in for real the swooshing void that real grief is and demands. There is no way to do that and remain wholly sane, as in functional in this world as it is, this world we have created at least in this country that does not allow for grief, that demands relentlessly productivity and some kind of facsimile of optimism and what the fuck is that but again the stupid Disney dystopia gussied up as 'concern.'

And this for me is my messy Memorial Day, because David was first and foremost a Vet, a Vietnam Vet. A war so crazy we still can't wrap our minds around it, and I imagine Iraq and Afghanistan is the same, but we don't know as much about that because that information is so tightly controlled and we have sent out a force of men and women that are separated so much from the general population, though I teach many of them and I can tell you each and every one of the recent vets suffer PTSD (this is self-reported - I am not exaggerating). And I am so sad about David because I know part of what killed him so out of the blue is the insane political situation in which people who have no military experience at all and have never had to risk even a thumb scratch send young men and women to kill and die mostly to enhance their own profits and say it's for our security, which is manifestly insane, given the fact now we have violence everywhere and these same politicians won't lift a finger to get guns off our streets, which are killing more people than any so-called terrorist (meaning of color of course). And David also was gay, something he wasn't allowed to be in the 1960s in Vietnam, but was and held as a secret, held until the 1970s when he couldn't hide anymore and neither could anyone else and yes it's better for gay people today, but let's face it, it's still no picnic and all the violence unleashed against anyone different, he felt that.

And so many people looked to him to protect them and he didn't have anyone to go to protect him, he who had both his fathers die when he was young, trying to be the big man, the protector from so young, and knowing he was gay in the 1950s and 1960s - just try to imagine this. Try to imagine. All that, all that he brought to his writing and to his friends, so many friends he had, he had a talent for friendship, people loved him fiercely, his students loved him fiercely and he loved them the same way and we are all, all, all so lucky to have had him in our lives.

I think my mother in some ways was his protector, and that is why they were married as long as they were past when it was feasible for obvious reasons. He protected her, too. And it was only when he died that I realized - too late, too late, too late - that as bizarre and Absolutely Fabulous our strange family was - it was a family, my family, the family I grew up in - the one that formed me, and even though my mother remarried an absolutely lovely, humane, intelligent, generous, beautiful human being when I was in college, my life, my childhood, my whole personality was developed during the tumultuous late 1960s-1970s with my mother and David and all the people drifting in and out and all the danger and the joy and the stupidity and of course the end of it all, namely AIDS, which devastated most everyone around us except - shockingly - David.

And here I am and it is Memorial Day and I am writing this and there is salsa playing loudly outside on the street in the summer breeze - competing salsa I should add - and dominoes being plunked down onto tables and young women taking selfies and kids throwing balls and me in my room typing and typing and typing as if it matters, as if it's even possible to talk about grief, as if there is anything but loss.

Reading book draft, Yoga & Unbreakable Kimmy Schmidt

Since my last post, I have continued taking the wonderful Sunday night Kripalu yoga class for which I remain extraordinarily grateful.

Today, during a restorative fish pose (blocks holding up chest and head), I felt the weight of the world fall off of me and a sense of instead being buoyed up by the earth. Hard to describe what created that sensation, but it involved - oddly enough - the fleeting thought that at 51 years old, there are now many more people younger than me than are older than me on this earth. I felt an accompanying lightness, realizing that I've done my bit to try to change things, etc. and now there are all these younger people who have their chance to make their mark. I'm free now to write and do what I want to do. That might sound selfish, I don't know, but to me - who's spent so much time trying to hold up the world (not that anyone asked me to do so, mind you, but nonetheless I heeded some kind of sense of call...), this is a huge relief.

At another point during relaxation, I felt another weight being taken off of me - that of shame and the fear that shame engenders - the fear of being seen, of being violated, or violence being done to me - physical mostly. There are more prosaic fears of being embarrassed and such, but the haunting quote from Margaret Atwood comes to mind whenever I am writing about certain subjects. "Men are afraid women will laugh at them. Women are afraid men will kill them."

If you happen to have the fun role of being a female writer and are writing about certain issues that are close to home, these fears can gain purchase on your soul. But underneath those fears, far more corrosive, is the shame - especially if you grow up in the largest special interest group in the world: women. Does it start with Genesis if you grow up Judeo-Christian? The rap of being the one who started the fall? Patriarchal laws/culture, etc.? I don't know. I know there's a lot of personal crap that plays into this for me, too - along with an intergenerational shame wave - for lack of a better way of putting it.

Nonetheless, while reading the draft of the book (which task I have now completed), waves of this shame and fear were palpable and close to silencing. Fears of retaliation, of people being hurt, of anger at what I am revealing, etc. can be so intense I just want to throw in the proverbial towel. But instead, I kept reading, and talking about this issue with a few trusted friends, who have assured me it's normal and to keep going.

So, when in yoga there was this sensation of that shame and fear being lifted off of me, I felt like I could breathe free for the first time maybe like ever...I feel it again now writing about it (the shame/fear nexus) but I have made a decision - that has been supported by yoga and meditation - to allow for this discomfort and not act on it.

Today, the shame trigger was reposting something on Facebook about a woman who realized she had been in an abusive relationship. Just reposting That put me in a shame-fear spiral. (Facebook is deeply weird when it comes to attempting to share anything real, but that's another post - and should show you how deeply out of kilter I am with the world of having A Brand - as in I'd rather kill myself than do that - or should I say, if I did that, I'd already be dead even if there was a body walking around - is this why there is an obsession with zombies these days? but I digress.)

Which leads me - believe it or don't - to Tina Fey's new television series Unbreakable Kimmy Schmidt. What? you say, why would a comedy about a woman who is saved from having been kept captive underground by a cult leader who convinced his captives the world had ended be something that would matter to me? Bwahahahaha.

Well, anyone who saw or knows the subject matter for My First Autograce Homeography (1973-74) may be able to answer that trick question. Even though I was not - thank goodness - held hostage for any huge amount of time, I was for somewhere between 24-48 hrs (I was 10 and the whole last couple crazy days were - crazy - and included a psycho caretaker - I've written about this before so won't repeat - but that also involved a 4 month run-up of brainwashing etc.).

When I was living with my psycho babysitter, she convinced people I was evil and that I had done things I knew I had not done. I also challenged her when she convinced people to play boardgames wrong, etc. As in this comedy, I was not looked upon kindly and was chided or punished. But when I was saved in the end, I was - while battered - not broken. A therapist I worked with found this incredible. I find it incredible.

The reason I love the TV show is that the main character is portrayed as having resisted the cult leader and her main emotion - upon being rescued is: hooray the world is still here! And she makes the very sensible decision of not going back to Indiana after they have been interviewed in NYC and instead goes AWOL to live in New York.

How could I Not Love This Show?!!

Even though it's a sit-com and obviously not an in-depth look at the whole situation, watching this woman navigate life afterwards, including what amounts to PTSD, etc. is extraordinarily funny (because Tina Fey is a genius and the casting is brilliant) and ALSO healing.

Happily, for me, I was watching this show on Netflix while reading the draft of the book about my grandmothers. This buoyed my spirits and made it possible to move through.

Well, that and the yoga, meditation and some great friends and John, my beloved Canadian.

So, that's been my last coupla weeks...Tomorrow: Rewrites. (Besides emotional stuff, reading draft also showed massive redundancy, some gaping holes and lots of stuff that needs to be written - you know - better. However, on the positive side of the ledger - some pages were good here and there - and there is a there there. A book exists. However imperfect and in need of help. It's there. Hooray.)

Oh, should mention, when I finished reading the book draft, I bowed to my Ganesha statuettes, a Buddha tapestry, my ancestors (grandmothers, grandfathers, fathers', mother) and then to me when I was young. At which pointed I cried and cried and cried, because I had survived. These were good, healing tears.

No matter what else happens with this book, it's brought me to this place. And for that I am profoundly grateful.