Bye bye 2019 and the 2010s...I am ready for the Roaring Twenties.

I wanted to write a year summary and felt daunted, then realized it should be a decade summary and was more daunted. This decade has been a rollercoaster from start to finish.

A thumbnail (the details are all here in this blog, at least from 2011 onward, with reference to 2010).

At the end of 2009, things were looking up. I had finally finished my PhD and was dragging myself out of the worst of the grief over my miscarriage in 2007, a day after my wedding.

But at the very end of the year, my 19 year old cat died while I was in the US (at the time I lived in London) and then on that day I had what turned out to be the last phone conversation with my father on his birthday (same day my beloved cat died). A few days later, at the beginning of 2010, he was rushed to ICU, and I flew out to Sacramento to see him before he died. I have written about that prior, but that floored me...but also clearing out his storage area I found photos of my grandparents when they were young. So while I was in a grief fog clusterfuck, I also found a seed of what would become my life for most of the decade, writing about my grandmothers. But first, months of grief fog for a father I barely knew, who I lost twice, once in life and then again in death.

This decade has been like that. Oh joy, then death, then in the death grief fog a seed...and something grows...then joy, then death, then...rinse repeat.

My second marriage, begun with such hope and joy that was cruelly crushed the first day of our honeymoon (the miscarriage), was disintegrating in slow motion by 2010 and by 2011 had ended. That along with wanting to work on this book about my grandmothers—which desire also had contributed to my closing up my London based theater company, Apocryphal—led me to make a leap with no safety net back to the states. I say no safety net because when made decision no job or place to live, but I was rich in friends, one of which let me stay at her place to make that decision.

In the summer, I spent time with my cousin Darcy, celebrating her remission from cancer, and  researching our shared grandmother, my mother's mother, in Minneapolis. Earlier that summer I met the lost part of my grandfather's family, lost because he had had to change his name during the Red Scare to save his job. I found clues to his real identity in all the stuff in my father's chaotic storage unit in January 2010. Again with the seeds.

Then, poof, back in NYC...where I discovered Inwood at the top tip of Manhattan when trying to find someplace I could afford, and moved here. That was a great find. The parks, the green, and then in October, the beginning of autumn in Inwood Hill Park was a revelation. This was October 2011. I had found a job at Bronx Community College and then later at Hunter.

Ugo the IWW (Inwood Writing Workshop) cat

A month later, I adopt Ugo the cat, who I found online at WaHi Cat Colony. He was an adult cat, so harder to place and still available. When I saw him, I knew he was mine.

I then am shortlisted for a full-time teaching post back in UK in May 2012 and fly back to interview and audition for it. They choose someone else. My ego is bruised, but I am so grateful for the ability to come back to NYC that this is the feeling that takes over.

My stepfather Tom sends me a lovely affirmative note about this.

A week later, Tom is in the ICU. He dies a few days after my birthday, Bloomsday (during which I read him Ulysses) and Father's Day. I am holding his feet when he dies and feel giant waves of love that almost knock me over. I am devastated and moved. I have a dream of a net and a diamond. Indra's Diamond my mother says. She is more bereft than me. Who wouldn't be?

I end up finding my own apartment on the top floor of a five-story walk-up in Inwood. Tom left all his kids including me (his step-daughter) a small amount of money, which was enough to furnish a new place (with Ikea and Housing Works and Freecycle). I got it all ready for me to live in, including my own study. I began to work more in earnest on my book. And decide to take some extra time to sort out my life.

Then comes Hurricane Sandy. Happily, my apartment survived and Inwood had electricity, so was able to host people up here who were stranded downtown. Sadly, we lost some huge trees in Inwood Hill Park. The beginning of understanding how vulnerable NYC is to climate change sinks in.

A couple months later, a friend who I had met at a meditation retreat where we were accidental roommates talks me into online dating, and I meet my future husband almost immediately.

Didn't see that coming. I was just trying to get a date before I turned 50.

John and me in Montreal at Botanical Gardens Valentine's Day 2013

Much happiness ensues of course, because it's super fun to be in love. Then of course all the issues rear their head about money and citizenship, since he is Canadian. Very long story short, we do everything by the book and he ends up down here, but there was a bunch of stuff he had to deal with in Canada and that all was way more complicated than he would have wished. We survived it all, but it was challenging, as in years of being challenging, in an apartment I had chosen for me alone, not two people.

On the happy side, I kept working on my book, got support from a crowd-funding campaign (all this is in blog circa 2014) and other votes of encouragement. John helped me with all of this and has been a relentless (in a good way) cheerleader of my work. I was given fellowships to residencies, and that helped, too. I directed a staged reading of ''whatever God is..." and Ian W. Hill directed My First Autograce Homeography (1973-74) at The Brick, all in 2014. My first short story publication as an adult also happened in 2014 with The God Thing, which has since been nominated or been a finalist in some awards, which is gratifying.

There have been many highways and byways with the book, The Amazing True Imaginary Autobiography of Dick and Jani, and with luck it will get published fairly soon. That is a long story that I cannot give details about, because much is in process. But it had been a steep learning curve for a theater chick to figure out publishing, and wow, it's different, but OK.

However, I was beginning to figure stuff out and making some headway when I came back from a lovely yoga retreat at Kripalu in December 2016 to a phone call from my mother that David Berry, my ex-stepfather, the playwright, had died suddenly of a heart attack, boom. I have written about that a lot too. But his sudden death floored me. It was two months after the DTs struck the US, and I was convinced that is what killed him, a gay Vietnam Vet artist. What greater insult than a homophobic insane person who had 'bone spurs' that he used to weasel out of service in Vietnam.

I lurched through another series of months in a grief fog, but also managed to finish another book I had begun in September. However, I was adjunct professoring, and it was killing me. I was exhausted all the time, and the pay, in case you don't know, in terms of hours work, is basically minimum wage.

I realized it was killing me right around the time I read a book that is the most iconic book of the decade for me: The Body Keeps the Score. I mark the time I read that book (early 2017) as the moment when I realized I was not a broken toy. But instead had a normal response to severe traumatic events. I cannot overstate how important this moment was. How healing, and how much my life has changed since.

From then on (Feb-March 2017), I mark as an existential shift in my understanding of myself and the world. I quit being an adjunct and decided to go full-time freelance, which has worked better than I could have dreamed. I decided to go to Westray, one of the Orkney Isles in Scotland in June, where I had not been since 2010. I had written my PhD there, and fallen in love with Orkney in 2003. It has always felt like a spiritual home, and some part of me feels severed from my soul until I get back there. I had postponed this trip a number of times because of my relationship with John and trying to work out schedules and time, etc. But I knew this time I could postpone it no more. My mother and John were going to go with me, but then could not for separate reasons.

Two stones from Ring of Brodgar in Orkney

Dear reader, I went anyway. And that made all the difference.

I stayed on in the olde Manse overlooking where the North Sea and Atlantic meet and revised my second book, Girls Meeting God, to get it in shape for submission, and taught my first ever private writing workshop, on this small Orkney Island, which was a  success and a revelation.

John meanwhile was able to sort out his Canadian albatross, and so when I returned, we were in much better shape on many levels.

Thus began the life I have now: writing, teaching writing workshops, coaching writers, reviewing manuscripts, editing, and sometimes back to theater.

Speaking of which, when the #metoo movement began in 2017 that allowed me to write my stage text On the edge of/a cure. Working with MoveOn and their text team to help elect Doug Jones in December 2017 allowed me to have a reading of this play. I did not realize until seeing this political work effect a positive change how paralyzed I had been...ever since watching DT stalk around behind Hillary Clinton on the debate stage. I could not move during the debate. Literally. But did not realize how totally paralyzed I was in terms of a certain kind of voice until I wasn't.

On the edge of allowed me to speak about things in a way I never have done before. It was also possible because of reading The Body Keeps the Score and Leigh Gilmore's Limits of Autobiography. In 2018, another play I had written in response to another trauma response I was having because of various terrorist incidents, Shit, was produced by IATI as part of their play development program. I got to see another director work with my texts and that was lovely.

Other reading that inspired me along this journey include Elena Ferrante's Neopolitan Quartet, Joan Didion's everything, Jennifer Egan's writing, and the ongoing ever present influence of Doris Lessing. With some key assists from James Baldwin and David Foster Wallace. Yeah, it's weird, I know that. If you know me, you understand the breadth, depth, and gaping holes in my weirdly selective knowledge of Whatever.

2018 saw the expansion of the freelance work, up to and including starting a retreat for other writers in Westray, an experiment that succeeded enough to repeat it in 2019, twice, and yes, going again in 2020. I also tried again in the spring of 2018 to heal from the traumatic miscarriage in 2007. I went to a workshop at Kripalu hosted by outside teachers that was so wrong it was almost hilarious. But  when I went to the Kripalu yoga classes I felt at home. I made a decision: I would become if at all possible a Kripalu yoga teacher so could be part of carrying on this important lineage, which is the opposite of spiritual bypass faux positivity crap that makes my skin crawl.

Back track to the shit storm of 2016, to remember that was the year also that my beloved cousin Darcy's asshole cancer returned. So the drumbeat underneath all my activity was: how long does she have left and how could I help? The answer was: all I could do was make phone calls and send crystals and gifts when possible, and she would die in September of 2018. My biggest fear in leading the retreat in 2018 was that she would die before I got home. Instead I just got a severe case of frozen shoulder. And the news Girls Meeting God was a semi-finalist for a book prize. The gods are fucking weird. In 2018 John was able to travel to Westray with me, and we had a week together as a 5-year-delayed honeymoon, so that was cool, too, but again all was overcast with the reality of Darcy's illness, the shoulder, and starting a writing retreat. Someday, we will have a proper honeymoon.

I was able to get to St. Paul at the end of August to see Darcy before she died. I wrote about that, too, and someday maybe that will get published. It took me well over a year to write about it even as a short essay. She was the closest I ever had to a sister so the word 'cousin' doesn't cut it as a term to describe her meaning to me. Suffice to say her dying plummeted me into a grief fog that was so complete, I have almost no memory of autumn 2018. I do remember trying to revise my book and sending it in, leading a workshop somehow, going to her memorial in November and then my memory does not return until December 2018 when I went to a very good healing workshop run by Aruni, who is a Kripalu veteran teacher, on grief, loss and renewal. Without that series of days and sharing with a few other people who were equally poleaxed by grief, I am not sure I would be functional.

The one thing I was able to do consistently throughout 2018 was text with MoveOn and that helped the Dems flip the House anyway. Did thousands of texts a day, like clockwork. I am proud of the work I did and the many, many others who did so, too.

Then in 2019 I focused on healing. I had intended to do yoga teacher training in October 2018 but my shoulder ixnayed that. (The body Does keep the score.) I began studying Qi Gong with Alicia Fox, which was transformative. I decided not to try to write because I was exhausted. I taught two workshops, though.

Artistic discoveries of this year that were revelatory include Hilma af Klint at the Guggenheim in January and April, her paintings gave me life. The fact she knew a hundred years ago her work was not legible until the future was amazing, and now they quiver with meaning. In October, I discovered Betye Saar at the new MoMA. She is in her 90s, and only now being discovered. If you are a female artist, you best live long to see your work recognized in your own lifetime.

Graduating on Summer Solstice at Kripalu

I also directed a staged reading of On the edge of/a cure. That was both incredibly healing and challenging work that took place between February and May 2019. By the time I was done with that, I was ready to finally do the Kripalu yoga teacher training in June, which shifted me irrevocably. It was the capstone I intuited it might be that drew all the parts together, all the fragments somehow settling into one person. I have written a lot about that, too, but mentioning it here again because key to so much. Getting underneath fixed, linear story has been a cornerstone of my artistic project and lo and behold it's the cornerstone of yoga, too. Fancy that. But to embody this rather than just have an intellectual or artistic framework is a whole other level of living it.

At the 2018 retreat I worked on a novella and short story. The short story White shoe lady won the Nomadic Press chapbook contest in May and was published in December, and the novella I am about to begin revising. In the 2019 retreats, I began writing about my nonlinear journey through yoga. I am writing a lot now. If I had not allowed myself the long down time, though, I don't think I would have the reserves I do now.

During 2019 my workshops and retreats doubled and I now have numerous coach clients, and my own work is beginning to find a home. I am now teaching yoga, which may not seem like a big deal, but me it is huge, because to teach the way I do means embodying radical self-acceptance and compassion, so it keeps me honest.

the shelves that John built! So much more space & writing can breathe (me too!)

And equally, I spent the last week before Christmas organizing my office and the last few days doing the same thanks to John building me new shelves. John is doing well, too, in school and full time work, thriving in a city he moved to in his fifties, not a small thing.

In other words, instead of rushing off somewhere Else to heal or whatever, I am here, in my own space, in my own skin, in my own life. I am 56. It has taken this long. Oh, and I finally created a website, which relates to all this, because I brought together all my various moving parts. The Unadapted Ones. Check it out. Most likely my next blog post will be there, the one that greets the New year and new decade. This is the one that sums up the decade this blog covers. Maybe I am more settled now. I fear saying that, however, less it calls upon a real or psychic earthquake... I began this blog in lieu of a website in 2011. I wasn't sure what I wanted to be when I grew up...

For 2020, I am present and accounted for, accepting reality as it is rather than as I would hope or fear it to be (as much as possible, understanding no one human ever totally can do that). If I keep staying sober one day at a time in February, I will be 33 years clean and sober. I should add without that rock solid ground, None of this is possible. And without the companionship and counsel of many other people who also stay clean and sober one day at a time, I would be bereft.

So...Happy New Year. Happy New Decade.

Find what brings you joy and go towards that more. Accept what is weighing you down is in fact weighting you down, and if possible, slough it off. And if you have any trauma in your background, and you have not read it yet, for the love of all that is holy read The Body Keeps the Score.

Let's help carry each other to shore.

path to Maes Sand outside of West Manse in Westray

the water the shore the distance the light the shadow...Westray

le puffins at Castle O'Burrian, Westray

on unconditional love and grief

It is a year since my beloved cousin Darcy died. I wrote a letter to her for her sons, at the behest of her husband. He had asked those of us close to Darcy to write memories down while they were fresh and she was still alive. I wrote and sent mine to him a couple days before Darcy died, which was a few days after I had visited them in St. Paul. Because my sadness today puts me at a loss for words, but I want to honor this anniversary, below are excerpts (with some adaptations for public context) from that letter. And below that are a couple photos.

***

Dear Darcy,

My first memory of you is Jani telling me about how you and she picked strawberries. She clearly adored you, and I was so envious. You were the granddaughter in Milwaukee, the one of whom she was so proud. 

We first met when I flew to Milwaukee for Jani's memorial service. You were (almost?) 12. I was 16. You told me years later Jani had told you all these wonderful things about me and you were intimidated, but there was no need. I was just a scared, freaked out teenager. But we got along as I recall, though to be honest my memory of that time is hazy, other than a very strong felt-sense, that I think most likely emanated from you and your mother, which was of warmth. I was attending a boarding school in New England on scholarship. Warmth was in short supply. 

Because of so many reasons, great and small...we were not in touch again until we were much older. We met again at my parents' dining room table in Maine, and I remember feeling: we are related. I remember also feeling: I don't feel related to anyone else. Because I had never had that feeling until meeting you again then. It felt strong. I finally understood the phrase: blood is thicker than water. As an only child with a fairly random-chance childhood, I had never felt this.

Was it the tilt of your eyebrows? Your sense of humor? The mix of deep warmth and deep skepticism? A certain depth of soul that I find rare, maybe not because depth of soul is rare, but perhaps it is not always easy to recognize in those to whom we do not feel kinship. We were both Jani's granddaughters. That was clear.

The time we got to spend in Maine in 2004 was a gift. S was 4 and L was a baby. J had to pick me up at the Portland bus station because I had made the mistake (never to be repeated) of taking a cheap bus line to Boston that literally burst into flames on the highway. All were safe but sat at the side of the road for ages. I barely new J but as will come as no surprise to you or anyone else, he was gracious about this late night guest washed up hours away, and we had a nice chat back to Damariscotta.

You and I had time to talk, but this visit was about your mother, Carol. She was dying of breast cancer then. You were so worried about her and doing everything you could to make her comfortable. Meanwhile, you asked me about my own life and affairs of the heart. Again, the warmth. 

And from Carol, too, who was insistent we go on the whale watch come hell or high water. Sound familiar? It should. And that was a lovely day. Carol was happy. I think it was hardest on you, though, because you could see her pain. You are always so aware of your surroundings, and especially the cares and concerns of those who are lucky enough to bask in your love, which I think is infinite. I know you would scoff at that and tell me I'm exaggerating, because that's what you do, and like me, you find every reason on earth to be on your own case, but I wish at least for this moment, you could stop and see yourself how I see you: loving, kind, crazy smart, funny, wise, and yes sometimes sad and angry, because why wouldn't you be? But always present. Always. Present.

Another lovely memory I hold in my heart is the time I visited you all in St. Paul in 2011. I think James picked me up and my first memory of your house is L marching me up the stairs (he was 8) to meet his plastic figurines. One looked like a Dr. Who character, which led to watching Dr. Who (with parental agreement of course). L loving it, S being afraid of the monsters, and asking me about them, walking down in his PJs with James to make sure they weren't real, asking for a hug. I was stunned that an 11 year old could speak so articulately about his feelings, but then again he had you and J as parents, so why should it be a surprise?

Once again, unplanned, I was an emotional wreck because of my second marriage ending (I took on this aspect of the Jani personality apparently). And you wanted to help, and I wasn't having it, and you - in your warm way - basically told me I was being an asshole. Which I was. You were right. I have always been grateful for that conversation. You probably don't remember it that way, but it was done with such kindness, it didn't hurt, because you said it from love.

Other times during that trip included lovely moments like sitting on beanbags (I think they were?) in Walker Art Center watching a slideshow of Nan Goldin's photos of children, so beautiful and So unsentimental. Her aesthetic suited us both right down to the ground. We also went to a yoga class together that I loved instantly, gentle and wise was your yoga teacher. Afterwards, we discussed without going too far the senses we got there. The intimations of things not seen. Larger than us.

This is where I feel the most connected to you in the end.  I know you are agnostic, whereas I believe deeply in something I cannot explain but has saved me one too many times to be easily dismissed. But I think deep down you have had this experience, too. 

I remember too and will never forget our brief - all too brief - goodbye conversation on the sofa when you told me about dragonflies, that they are ancient but live such short lives, and in their short lives they are so busy - mating, making more dragonflies… but how you loved it when one would alight on your arm when you were younger. You were somehow wanting to link to this to the fact that it was OK we were saying goodbye. You could not remember what you wanted to say, but I think you said it:

Ancient but brief. Something about life. About our connection perhaps? It is how I feel it anyway. S walked in the door soon after that, your brother had driven him from Grinnell. The mood changed, and then I did have to leave, it was so late. I don't remember the actual moment we said goodbye, perhaps because we said it a number of times that night. You told me you didn't think you were dying "right" and I feel like I didn't say goodbye "right" - which for both of us was precisely: typical.

These are snapshots. There is so much to be said. There is nothing more to be said. You are my heart. As are your sons, and I hope they know that. If they ever want deep background, I can give them the book that is half about Jani, who is an influence like no other. I am here for you always, and them, too.

You wrote once you loved me to infinity. And I wrote back I love you to infinity and back.

And I do.

I love you to infinity and back.

Julia xoxoxo……

Darcy on left with brother Jonathan, sitting on legendary Jani's lap

Darcy and me in Maine in 2004, her young son's head visible

"Ashes are stardust"

That is what D tells his 6 year old lovely son G who is running around Prospect Park in his Harry Potter Wizard "Gryffindor" robe, lovingly spreading my stepfather David's ashes around various trees with a wooden spoon he was dipping into the cookie jar with a whale painted on it. I gave G first dibs because he was so enthused. G is sad David died, but somehow he gets it, too. He creates a little altar of twigs and leaves and acorn caps around one little mound of ashes he placed at the base of a tree he just knew had to have some of David's ashes.

The best thing that could have happened today was D bringing G to join us for scattering David's ashes. G asked me if he could do certain things, like place a stick he found that had been painted purple and green over ashes I had placed in the hollow at the base of another tree, one that David's very good friend had chosen to scatter some ashes. "Purple and green are the best colors! They will protect him from evil spirits!"

David had requested in his will that half his ashes be scattered here in the Prospect Park Meadow. I did not know where to place them, and so his close friend (and executor) and I asked some good friends who were with us and had spent more time with him in the park. Once we picked an area, everyone got a chance to decide where to place some ashes, which was G's brainstorm "because there's a lot!" How do kids know everything?

When we all had scattered the ashes, I stood between all the various trees where ashes had landed then turned away from everyone and cried.

David, who had been my father most of all, and yet I had not known it until he died, and how could I not have known it since he came into my life at the time I was G's age, picking up the pieces of some pretty dire predecessors, even though he was picking up his own pieces from Vietnam, and his mother's sudden death and suddenly having to care for his teenage siblings (48 years ago yesterday - on Veteran's Day - which brought him home from Vietnam early - and probably saved his life - at least that is what his sister surmises, and that may be true - not that David would have taken that trade if offered. He went to Vietnam not as a true believer but because he thought it was unfair someone poorer than him who didn't have a college education should have to go in his place. Which may be why he left money in his will for one of his good friends to go back to college, which he is now doing, and appears as a man transformed - someone finding his potential. Another life David saved.)

I am so sad because I let arguments David and I had had get in the way of our closeness when I was back in NYC. Maybe he did, too, but he's dead now, and I'm left alone, knowing I definitely did that. I can never get that time back. No do overs when someone has died.

But D kept saying to G "It's stardust - those are atoms some might have been here since the beginning of time" and he's right of course and his son's joyful sadness was a testament to this belief. And everyone's love. His executor who was in charge of this ceremony said "Julia gets the rest of the ashes, she's his daughter" and that made me cry some more, and I'm crying now of course...

I was at a crystal reiki healing thing yesterday - yes if you had told me even 10 years ago I would go to such a thing I would have been...dismissive. But I did, and I found a crystal there and it had some kind of power and the reiki/crystal healer was saying how crystals are solidified light and they have all the information in them about the universe and the multiverse and I believed her, for whatever reason, and so I planted one of those crystals at the base of a tree that John had done some kind of Taoist thing with that I don't understand, and I don't have to understand, and so that's what everyone was doing, these little rituals, our rituals.

crystal planted in hollow of this tree

Which is how David's ashes - the second half - were spread.

The rest - as I wrote about in September - are in the Atlantic Ocean off the coast of Maine. Another sacred place.

I may not have known how much love we actually shared and how he was my father - because who the hell else is the person in your life from age 6-53 even if he was gay and our lives were unconventional and someone else came after, another stepfather, Tom, who I also loved very much? He was there when I found writing and theater and all the things, but also the horrible things, too, and so much, and as he did for so many others, he saved me from one of them, and so now when there are terrorist attacks or other scary things, I feel really vulnerable, because he's not there. But I do feel what he was for me now, and in some ways still is, but not here physically, and that does make all the difference.

Watching Last Flag Flying, about three Vietnam Vets reunited for the death of one of their sons in Iraq, I was desperately sad not to share that with him - the heartbreak and beauty and humor of that film. I miss laughing with him most of all, and his pride in me, which when he displayed it made me feel like a star.

So I planted the crystal and watched D's son play wizard and knew David would have loved that, does love that, and the crystal is now at a base of a tree where John dug a little hole where in 10-20 years the tree will grow over it, because we all loved David so much, and as someone said, that tree (a giant oak), was like him, "Tall, large...and sexy."

We all laughed. David would have loved that, too.

This is my NYC life - the one I shared with David - me and a bunch of fabulous gay men - all smart, wildly talented and diverse in every way, and ALL in love with David. Sometimes a small child - like G - who reminded me so much of me at that age in the way he built little shrines out of twigs and such over David's ashes and being the center of adult attention, and that was it, wasn't it, isn't it, all that love and who cares if it looks like something "normal" or now - and happily NOW this is the new normal - all reactionary idiocy aside - in real life, this is the new normal.

And isn't it wonderful.

If I could, of course, I would call David and tell him that right now, and we'd laugh until we cried.

On this day 31 years ago...

I woke up on November 1, 1986, and knew I was dead, not as in physically dead, but everything had stopped working and I had nothing inside. It was as if I had turned into a blank spot. Cold is too evocative and lively to explain the sense, as is dark, all those are qualities, it was as if I had no qualities, nothing, I had somehow disappeared. I was 23.

I had the grace in that moment to know that nothing I had done or thought up to that point in my life would help me. That the proverbial jig was up. I was done.

I also knew that there were some places I could call and maybe I could get some help. I knew I didn't want to go anywhere near 12-step recovery because some other people were there and were telling me I should go and fuck that and fuck them.

So I tried to go to places with fancy names like Genesis or whatever. I should mention this was the Haight Ashbury in 1986. Grooviness was everywhere, but it was even then...expensive. Nothing like what it would become in the 1990s, but it wasn't 1967 anymore either. And I was - surprise, surprise - broke.

So with extreme reluctance I found a certain meeting for people who had grown up surrounded by alcoholics, and I went to it; it was remarkably close to where I lived. I put on my coat and ran down the steep stairs down the street and into the basement of a Methodist Church, which - given my history with my first stepfather in the 1960s who had been a Methodist Minister - was not the funnest option ever, let's just say.

But I knew I was going to die if I didn't do something, so I ran there without breathing, because if I thought of it for one second I would have never made it to that room. I ran into the entrance way and babbled at some women standing in a circle, who I now know would have pegged me as a frizzed out newcomer within a second, but were of course smiling and nice and led me into the meeting room, where I saw a list of things suggested and some of them said God and I wanted to run screaming, but didn't. I sat there and listened, and could not believe what I heard, which was one seeming adult after another saying all the crazy shit I thought and felt but had no idea anyone was allowed to say aloud. While the dreaded God word was on the wall so were a lot of traditions that said no one was in charge, no one made any money, and you didn't have to believe in anything you didn't understand for yourself, and suchlike. So, I thought, OK, let's see where this goes.

By the end of that meeting I was crying, I may have said something I have no idea, but I did know one thing for sure. That while I could leave this room at anytime, it - this thing I had just experienced - would never go away. I also knew that I had never experienced that feeling ever in my whole life. I don't know how I knew all this, but I did. Many years later I would realize that that was unconditional love.

Flash forward about a week, and I realize - reading a book from this group - that I have to address my own destructive behavior and go to yet more meetings where we sit on uncomfortable chairs under unfailingly horrific lighting (except for the blessed candle light meetings) and drink fairly dire coffee in styrofoam cups. And all these groups of people just keep telling the truth about themselves, and eventually so do I, and then many other things transpire like leaving all these meetings for many years because of falling in love with someone I thought was all that and who wasn't and suchlike and then coming back thanks to a friend who had just gone through an almost identical experience (those kinds of 'coincidences' end up happening a lot over the years) and everyone greeting me with love - again. New people in a different city. No judgments. Hey, nice to see you, hope you stick around.

Round two, realizing wow this place works better than any place I've ever been like ever with the precise minimum of any guidelines in lieu of what is sometimes called "obedience to the unenforceable" because there is no one enforcing anything. There are a lot of half crazy people with lots of opinions all desperately trying to stay sober and/or sane but no one has the authority to do anything to anyone, so people voluntarily follow guidelines because...it's worth it, and it works.

Plus, as mentioned above, no money. There are donations you can give so the meeting can pay rent etc. but you could go to meetings your whole life and never pay a dime. Who does that? What else in this country works that way? Oh, that would be nothing.

So, I am grateful beyond measure that 31 years ago I took a much resented step into a world I was sure would not help me, and that I was "above." Ha. No.

All of you people, and you know who you are, and even if I haven't met you, I know you and you know me, and I have met so many of you in so many different countries and cities and towns and even in different languages even above pubs (a personal favorite!) and you hold me when I'm sad and celebrate with me when I'm happy and have seen me crying and laughing and shaking with homicidal rage and bullshitting myself and having moments of insight and hating you all and loving you all and wanting to run away and wanting to cling and being bored and excited and scared and happy and all of it and there you all are, running towards me, arms open, no matter what.

Even when you aren't individually doing this, as a group, you are. This is the miracle, the everyday miracle that is my life. This is why I am alive. This is why I have not had a drink or a drug for over 30 years. These rooms, filled with wildly imperfect people who came here in the same blank spot I was in having hit their own personal bottom - their own hell, is where I learned - in spite of myself - how to love.

Thank you. Or as a favorite prayer I learned when in a meeting in London that the man who was from Africa who spoke said was an African prayer:

It is. Thank you.

It is. Thank you.

It is. Thank you.

Let there be light

Whichever holiday you celebrate today, let us all bring in the love and light. Here's our tree from last night in Maine. My favorite, Christmas Eve, when it's dark and the lights are twinkling. Bulbs from many generations young to older. Missing people not here, especially this year David, my stepfather who died last Friday suddenly and without warning. But glad to be together with our little family, this year John and me and my mother, Robin, and her cat Maggie. Friends of hers will join us for dinner tonight.

As the song says "these are the good old days" - cherish them, each other, all of us.

Blessings to you and let there be light.

My stepfather David died on Friday suddenly and without warning

I usually can write about grief, even poetically. This time it's harder. This time the loss is abrupt and without warning. This time it is my stepfather, David, who died on Friday of a massive heart attack. This time I didn't get to say goodbye. While he was not married to my mother anymore, he is the one who had been in my life since age 3, who brought me to theater and writing, who enlarged our lives that had been made small because of my first stepfather, who was a deeply disturbed human being, someone I could best describe as a Methodist Artaud, signaling through the flames of his own suffering, unable not to take those nearest him down with him.

David came along in 1969, and suddenly - from my point of view - I was only 6-7 when my mother and he got together - they had met earlier in 1966 (but my mother was still with the first stepfather) - the world got bigger and brighter. Instead of crying, my mother was smiling. Instead of liver, we ate pizza and could drink exotic liquids like Pepsi, even eat...Oreos! My first stepfather had been a whole foods Nazi. Some of this was good: eating organic vegetables from our own garden, etc. but some of it was really bad: forced eating of liver being a main one and no sugar - at all. This very forced-feeding practice was the centerpiece of a writing exercise I did at Kripalu this past week in fact...maybe will add that later. But the point being, David came along, and even though he was damaged and sad from Vietnam and having to take care of his younger brother and sister because his mother had just died young, as had his two fathers, all of alcoholism basically, he also had great artistic passion, and so brought me to the theater.

Oh, so big deal, all kids get to go to the theater you might say, but not so much in back of beyond Maine and also most kids don't get to go to theater rehearsals and sit next to the director and help him time the scenes while watching her future stepfather rehearse his part in You Can't Take it With You and have the extraordinary experience of walking onto the realistic looking living room set and then see that the stairs that looked like they went upstairs from the front, when you went to the back, went back down. This was an astonishment - pure magic to my six year old eyes.

Or be rattled to the core when there was a blackout and an explosion sound, so disturbed in a luscious way - the way only live theater can do - that I remember trembling while eating a reheated chicken pot pie in the back with all the actors who treated me like their special little friend. I was part of this big family of happy adults. I had never seen happy adults before this. That could play and laugh and cry and be warm and fun. And this was all - I should add - a community theater production. So these adults had other jobs in the real world, but this was how they spent their evenings, preparing for shows. I sat next to the director riveted by his power and how he had people move around and timed everything. I loved working the stopwatch for him. I would have gone to the moon for him.

The other huge part of my life that expanded was being able to stay at the cottage on Peaks Island, Maine, that tragically the family had to sell recently, but where I spent many summers - on a sunporch looking out to the Atlantic. That beauty saved my life over and over and over again. An ocean, the tide, the sunrise, the moonrise, the sound of waves crashing against the rocks over and over and over again.

All of this after living in isolation and fear from the disturbed first stepfather - moving around downeast Maine, having no friends my age, and just being basically scared. I wrote a lot apparently - poems in magic markers I gave to my mother, and played with imaginary friends, but I had no fun place to go.

We then moved to Connecticut and David and my mother worked in the arts, him at the NTI and she at American Dance Festival at Conn College. In the midst of meeting all these wonderful artists and seeing work by all the luminaries of the avant-garde in the early 1970s who passed through both places, including Peter Brook, Joseph Chaikin, Living Theater, even Richard Foreman at the dance festival - not knowing who any of them were and wondering what the hell was going on but all of it leaving a deep imprint...then in the midst of that beauty and strangeness a horrific period of time where I was left with a caretaker who also went nuts - for real - and I've written about all that so not gonna do it again, but it was David who saved me from her. His sister who had been living in this deeply weird situation with me was able to extricate herself and go get him. My mother at the time was in NYC. If you saw my play Autograce in 2014, you saw a version of this incident, and the scene in which he entered the house and got me out.

There was a lot that devolved from there, he was deeply affected by that episode as well and it exacerbated his PTSD from Vietnam and no one knew what to do with me so I ended up at my grandparents on the Cape. But then a couple years later, once David had written a play that would end up on Broadway, GR Point, and that was moving forward and my mother and he had recovered enough to bring me back, we all lived in a house in Providence, RI. David had accepted he was gay - that was a drama, because in the 1960s you weren't allowed to be gay, and in the 1970s only a few people were and they usually weren't Vietnam Vets with plays about that experience headed for Broadway, so it was all very confusing and hush-hush on the public level, yet privately we were living in an episode of Absolutely Fabulous like all the time. I was Safi.

But again, surrounded by lovely actors and dancers and people in the arts of all kinds, and I was drawing and making theater and writing, even if I was a bit distrustful of the whole disco fever whirling around me. And of course that world crashed out around us - first my mother and he divorced because it was too much for her, for them both - and she flourished professionally and so did he and they stayed friends, and I went on to a boarding school and started directing plays - not surprisingly I suppose - and writing and all that but mostly: plays.

My high school graduation was hilarious - I introduced my mother, then when I realized how impossible it would be to introduce David (ex-stepfather) with his lover and my mother and her fiancé (future stepfather) and her father and his second wife (my step grandmother) and David's best friend from college who was a mentor/uncle person to me, also gay but not David's partner, and David's half-sister, Barb...etc. etc., I just said instead this is my mother, Robin, and Tom and David and Peter and Robert and Lily and Barb and Walter...etc.

This was in 1981. About 10-20 years from then this would not have seemed unusual. Trust me when I tell you in 1981, this was not a common sighting. However, I knew, even as I made dark humored jokes about it all - we all did - that for all the chaos - and there was chaos - it was special.

Then AIDS came along - was coming along - and pretty much all the people I had known growing up in the 1970s around that time died or were dying of AIDS. Miraculously, David was not one of them, nor Walter (who was his friend from college and such an important stable figure for me growing up - even though he like everyone had his own demons and addictions). But we mourned deeply and for what seemed like fucking forever.

In 1981, I ended up going to his university, Wesleyan, which was something I never thought would happen - but did for a variety of reasons. Our lives remained intertwined, through out various theatrical and his screenwriting endeavors. We had times of being very close and times when we were at severe odds, emotionally and artistically. But never did we lose respect or love for each other.

His biggest honorific to my mind was referring to me as troop. This was a term of respect, because he knew I too had been through the wars. He always said coming into the apartment where I was with Mrs. Levine, the caretaker, had reminded him of a battlefield. This was not the only one either, and he knew that. We both struggled to deal with our damage through art - writing and theater. We succeeded and failed. We were harsh critics of one another and each other's biggest allies.

He tried to warn me about my first codependent marriage. I hated him for it. He was - for the record - absolutely right. I will never forget one of the many moments wherein we stood or sat somewhere laughing like teenage girls. This was while I was getting divorced from my first husband who had dumped me for someone younger, telling me that on the day I found out my first play was to be published. I had the anthology and handed a copy to David, saying, "Here, this is the thing that cost me my marriage." And he said, "Good trade."

It was cold and windy, we were on a sidewalk in NYC after some event or other, can't remember which, and we laughed so hard I practically peed myself.

That is the David I love so much. I love all of them, and of course the little me misses the one who saved me, and that is a part of the firmament that will never be replaced, but the times we made each other laugh, so hard and so much people probably thought we were stoned, but after a certain point in time (another long story) we weren't. It was just the absurdity of life, the one we shared for fifty years.

I can't remember what it was, but something happened yesterday, as I was walking to a meeting clutching my bagel and coffee, and I thought or said something to myself that I knew would make David laugh and I could see him, I swear to God, see him laughing in front of me, those eyes twinkling and that impish grin, and I hope that will always be the case. I can't bear to be without that laugh, anyone who knew him knows what I mean.

I will leave you therefore with two photos that encapsulate our times together. One (semi-fictional) from Autograce (Stephanie Willing and Derrick Peterson in 2014) and one from 2013 of us at Elephant & Castle (that John Barclay-Morton took - it was the first time he had met David, and he, too, was charmed). David gave me the ring that is visible on my hand in that photo, that I have worn every day since.

Goodbye David, I can't believe you're gone. And in some ways I just refuse to.

Giving Thanks in Dark Times...

Apparently, the first official Thanksgiving was declared by President Lincoln during the Civil War.

Well...

Here we are. Thanksgiving in 2016 with the country probably more divided than it has been since then. I know there were other times when it was divided, and maybe those were worse. But it's pretty bad now. And I have never had the dubious privilege of living in stomach knot twisting fear of a President-Elect, as I am now.

Things that have come out these past few days include: a professor watch list where students can accuse their professors of having too much of a liberal bias. When I saw that at first, I laughed. Ever since then, though, I have had a stomach so full of knots it is literally eating itself. I am not joking. I am still writing, was able to do yoga finally, and am meditating, including breathing exercises. Some nights I can sleep and some nights I cannot.

This is Trump's America for me so far, even in one of the - if not the - most liberal borough of the most liberal city in America that voted against him by over 90% (that would be NYC - where he is from...let that sink in).

OK, so there's that, and many others have it far worse than me.

So what am I thankful for? The list is almost endless, but I'll do one anyway (and the order does not signify the importance):

1. The ability to write - even through this.
2. The fact that so far I have not self-destructed in ways I could easily do, but have not.
3. The love in my life, including my beloved Canadian, my mother, my friends - some of whom I will spend tomorrow with in the most diverse neighborhood in the US (Jackson Heights, Queens). One friend, Christian, I have known for over 30 years. We have seen each other through many phases of our lives and I will be delighted to spend Thanksgiving with him and his beloved, Ricardo, and a few of their other friends.
4. NYC
5. NYC
6. NYC and the people herein - overall the people with whom I relate the best and have been acting in heartbreakingly kind and generous ways with one another recently - and I trust will continue doing so. Sometimes there are assholes, but they are not the majority.
7. Kindness - when I see it and feel it.
8. Autumn leaves and the blue blue sky
9. The People's Republic of Inwood (my neighborhood)
10. Artists, writers, theater people, dancers, musicians...everyone who creates things in response to dark times, either as witness or to soothe or to imagine a different future...or simply to dream, or create delightful respite.
11. Paragraph writing studio and all those with whom I share my writing either in silence or at readings
12. Various FB groups in which I do same and the people in real life I have connected with who have given me faith in my writing and humanity in general.
13. National Novel Writing Month (now) that helps motivate me to write every day, and the fact I have done that this month: written every day.
14. New and old friends who have graced my year in so many lovely ways: Suzanne, Adam, Shawn, Christian, Suki, Wendy, Francelle, Julie, David, Marietta, James, Ilana, Aurvi, Carle, Peter, Susan, Sarah, Sharon, Russell, Jane, Pam, Maryan, Allan, Sauna, Kat, Alice, Nina, Andrew, Kate, Nathan, Spencer, Andrea, Veronica, Fran, Gina, Jenny, Ellen, Olivia, Leah, and others I'm sure I've forgotten...and those who have stayed close on FB even from afar, like Fi, Kirsten, Therese, Catherine, Sean, Bennett, Renee, Alison..
15. Scholarships to two very important writing conferences, which made it possible for me to attend what would have otherwise been impossible and the help people at those conferences gave me and friends I met there, too many to mention all...
16. The many people with whom I meet in various rooms to keep ourselves sane.
17. My students who remind me why I'm here...for real. These are some amazing young people, and maybe because I'm not a parent myself, I find in them such joy and love even. Hard to describe that alchemy, but while the pay is far too low, the rewards in this way are rich indeed. While our present may not seem too promising, I guarantee you, the kids are alright. Assuming we don't blow up the planet, they will be there to create something great once we fade away. Of this, I am certain. This is the source of my hope. If I wasn't teaching, I don't know how I would feel. So, I am grateful that I am. I am grateful I can use my skills as a writer and teacher to help them learn how to express themselves in the clearest, most elegant way possible. I do this, so you will listen to them, because their voices and ideas should be taken seriously.

And on that note, I will end. On a note of hope for the future, because God/dess knows we have at least four years of needing to try to withstand a storm that I can only hope we will withstand. My hope here is that many are awake to the need to keep our Constitution intact and I can only hope we won't be duped by a false crisis or goodness knows what. When I do not feel hopeful, I fall into fear and despair, and I cannot live there. Americans have a genius for hope. We are probably stupid with it in many ways, and the rest of the world - rightfully - looks at us most of the time like we are kind of nuts, but for all that, I do hope we can withstand the ultimate stress test that is upcoming of our country and how it was founded. Well, not ultimate, there was the Civil War, which I really hope we aren't going to end up in another one. But I mean stress test as in: can we get through this Without a Civil War. I pray and hope so. I also hope we can make it through without becoming a totalitarian capitalist state like China. These are my hopes.

I also hope that I will have the courage when needed to stand by not only my own beliefs, but also all of my friends - and strangers - who are in groups that are or may be targeted in ways large and small.

But for today, I give thanks to all of you out there who are willing to listen to all sides, who are tolerant and loving of everybody, including those with whom your disagree. I wish for our whole country (and I come from both sides of this political divide so I mean the Whole Country) a way to hear and listen and respect and love one another. I hope that all those who feel unseen, feel seen, those who feel silenced, find a voice (that is not filled with hate or that silences another), that we can reach across the borders and find a way forward.

This is my dream. This is my stupid-ass American hope.

I love you all. I really do. I am that weird.

Back from the Green Mountains of Vermont

Wow, that was kind of amazing.

Just went on a two week writing retreat at Vermont Studio Center, where I edited 80K words of my book in 2 weeks. I laid groundwork for this in NYC (about 50K in 6 weeks), but managed to really motor through a little more than half the book while there.

I wish I could have stayed for the month, because might have had an edited book at the end, but I'm hoping to use momentum from that extraordinary time to move through the second half. Also, hoping to get back up there ASAP.

I was affirmed, through the sheer ability to work so long and so hard, in the work itself, and also through meeting other writers with challenging projects, who were both inspiring and encouraging.

On Friday night, I read aloud a couple pages to my fellow writers, which was a first for this book. Haven't shown it to anyone for 4 1/2 years. I was moved by their response, and was taken aback by how emotional I felt reading the section I did. I knew I felt for Dick and Jani, but I didn't realize how much until I started reading aloud.

So, I feel much more confident, like I do have a book on my hands, and this is invaluable to see me through to its completion.

Wish me luck in keeping up the momentum (though I could not work at the level I did those 2 weeks here without exploding - I think I can ramp up my focus here). I don't want to dismiss the work I've done here in NYC either, because in many ways it was the hardest bit.  However, at the retreat I got through the section/s of the book I felt were going to take the most out of me emotionally, and that was a wise choice.

I hit a wall only once, and did my laundry. When I returned to the studio (after also having kvetched to some fellow writers) - bam - could work again.

Our studios looked out over a river, so with the window open, the sound of the water running through the stones and mini-rapids soothed my soul.  There is a deep internal expansiveness on offer at VSC, and I feel so grateful to have experienced it. They even offered Kripalu yoga two times a week, so I was in heaven. And good food!

I am now back in Inwood, it's hot and I left behind some folks I really liked meeting in Vermont (including visual artists - with some of whom I hope to collaborate on future performance projects), but I also returned to John, my beloved Canadian and Ugo, my beloved rescue cat. My little family who were happy to see me. That's truly special, too.

I'm feeling pretty damn grateful right now and just plain old lucky. There have been many hard roads leading to where I am now, and those roads are - whether I like it or not - why I can write this damn book in the first place. Those roads are also how I know what a gem John is - true love is the best gift ever. That combined with meaningful work is life's jackpot as far as I can tell.

Thanks to all of you have been and are supporting me through this process. I think I have one last push to get this over the finish line - at least stage one finish line - a readable draft.

In praise of slowness

So I did get back to the editing. It's going more slowly, but I'm also happier with the results. Been combing through the first hundred pages over and over again - kind of like a knotty bit of hair - needs to be brushed a number of times through to untangle, but if you pull too hard it'll just resist. The returns need to be gentle. The hand needs to be patient. Then the strands gives way.

I've found more cuts, added some bits, and am hearing Dick & Jani's voices more clearly with each pass. I don't know if this will make the rest of the book editing go more quickly or not, but I've surrendered to the pace.

On what would have been Dick's 100th birthday (April 27), I was accepted to Vermont Studio Center for a residency. I could only accept the two week slot (May 10-23), but after panicking about it (what I have taken to referring to as New York agoraphobia), I said yes and then was - and am - delighted at the choice. Everyone I know who has been there, has loved it - it sounds like Kripalu for writers and artists. Will tell you more about it when I'm there, but this opportunity feels like a huge gift from the universe.

I am now preparing for that retreat time, which will be more of a sprint than a marathon. I realized that to be able to do what I want there, I need to be well-rested going in - and need to prepare my papers and such to bring up what I need. I put together a PhD in four weeks in the Orkney Islands in Scotland in 2009, and the first two chapters for upgrade (which I then revised entirely) I wrote in two weeks in September 2006 (also on the Orkney Island)s. Vermont is not nearly as remote, but on the plus side, all my meals will be taken care of and there's a yoga studio, meditation room and a bunch of other weirdos running around. I hope not to be distracted by same. I can find a certain kind of focus when I am all alone that I'm not certain I ever find when anyone else is around, but will do my best. When the balance of alone time with people concentrating on their creative tasks, there can be a kind of wind underneath one's sails, which I hope to experience. I've never been on an art/writing retreat before, so we'll see. The other ones were self-made and done alone.

I would love to finish the revision in Vermont, and hope to make a lot of headway, but need to remember what I've written earlier here, that some of this just Takes Time and two weeks isn't a lot of time.

No matter what, I am fairly confident I'll get a lot more done there when that is all I need to do and surrounded by so much beauty and quiet. Or maybe I'll just fall asleep. Who knows?

In other news, I've had an endless tooth odyssey, which involves waiting for a root canal and such, when all I thought I had agreed to was something much simpler...I won't go into all the gory details, except to mention that the filling that was removed and is in process of being restored was put in in the 1970s, around the same time of the material in the book that I am editing. This has had an interesting effect emotionally - not all pleasant - but of course any openings are good - even they involve teeth and pain. Thawing frozen places is not pleasant whether physical or emotional and sometimes they seem to weirdly intersect.

Spring is springing, and that, too, is generally a bittersweet time (touched on in last post), but overall it is quite beautiful after such a long, hard winter. Now to take a walk in the sun with my beloved....

Speaking of which, I want to give a shout out to John, who is supporting my retreat time even though neither of us like to be separated. I've never been in this situation before, where I can both leave and know someone will be home when I get back (and not have gone off with someone else) and know that the person at home will care that I have returned and have missed me when I'm gone. This may seem like a basic thing, but for me it's a first, and a deeply healing one. Love is an astonishing thing.

Spring happens

Hello after a long pause.  I am still not entirely sure what to say right now, but have some photos of early spring in Inwood and that seems of note.

I have an ambivalent relationship with spring because it leads inexorably to anniversary of April 14, my wedding day followed by April 15, miscarriage day.  While this was five years ago, I still have no children and that's a wrap, and now I am separated from my husband, mostly likely for good.  This is my first year facing these days without him.  Because of the miscarriage, our anniversary was never just an easy day, but I had been looking forward to the time when that would change.  But now, that won't happen.  On the other hand, because we are not together, I don't have to pretend to be happy on April 14, so I guess that's a grace note.

This is the general tone right now, hence the reason I have not written in close to a week.  I don't want to just be a purveyor of sadness or violin background music.  On the other hand, I can't pretend I'm not grieving.

I have spent this past week meditating and making up teaching work left undone because of a month of being sick.  So part of it is simply tiredness.  And let's face it, I'm also depressed.  And no, I don't want to take fucking drugs for that, so please don't suggest it.  I'm not suicidal, I'm just really sad.

At random, I picked a PJ Harvey CD from my collection To Bring You My Love and am listening to it now.  I have not been able to bear listening to this album for years, because it reminded me of a time when I was way more open with myself and with B (our first year together - somehow we seemed to be falling away from each other for all the subsequent years even though we tried the getting married thing - didn't help - not really...I have some suspicions of why this is so but will not recount them here).  I spent the rest of the years trying to pretend this part of me that Harvey's music touches didn't exist.  I didn't do that consciously.  But I did it.  I knew there was a loss.  I probably blamed it on B, on the UK, whatever.  But the fact is: I was the one faking myself out, not anyone else.  No one forced me to stay in an untenable situation.  That was all me.

Dear God, I never want to do that again.  I feel like it's Groundhog Day as I write that.  Said it after my first marriage, too, for slightly different reasons, but not That different.  So, how do I trust myself ever again in relationship world?  Not sure I do.

But this I am doing differently: I am not even looking to be involved with anyone else right now.  Not even looking.  Seriously.  I know this and only this much: I am damaged, I need to heal.  I don't mean damaged by B to be clear.  I just mean damaged by the whole experience much of which was by my own hands, though of course we were both there.  Not to mention all the childhood stuff, etc.

After my first marriage while I didn't go flying out to find someone, I ended up in various romantic-ish intrigues fairly soon - some of which were real, some of which were loosely based on fact (like a hack job bio).  When B and I first separated, I felt like I should go find someone new right away, even though that wasn't 'healthy' mostly because I was sick to death with always trying to be 'healthy' which seemed to have produced nothing but yet another failed marriage, a kind of endless grieving process over a miscarriage, my father's death and a sense of chronic dislocation...etc., etc...Years of therapy and various recovery processes and where was I?  Sobbing in my bed at 2am.  Fab.

Quickly, however, cooler heads (mine) prevailed and I realized: You Are So Not Ready to Be With Anyone.  And so here I am - still alone.  No prospects.  I'm assuming B is with someone by now, but don't know for sure.  But then again, I always assume stuff like that.

This album, the one I have on now, I sent to him after our first 10 fall-in-love-like-in-a-movie days together in NYC, for Valentine's Day.  Up to that moment, we seemed to be on the same page - open and absurdly in love.  Then his response to this CD was somewhat muted and I was - secretly - crushed.  I didn't say anything of course, but I felt what I continued to feel for 10 years: I'm too much for him.  I have to back off.  I'm too intense.  I'm too....fill in the blank... Be careful.

10 years.  Be careful.  I'm too much.

See?

Who would do that for 10 years?  Whose fault is that?  B's?  Nope.  Mine.

Until I can honestly say to myself that I will never sell myself down the river like that again, it's me and my cat and a cup of tea.

I can't tell myself that honestly until I know in my bones that I am worthy of taking up space on this planet.  I would like to tell you after my 5 million years of recovery/therapy etc. that I can do that, but honestly, I'm not sure.  Sometimes I fear I am irrevocably damaged and real love is just a bridge too far for me in this lifetime.  Maybe that's true.  I don't know.

I do know I feel real love for a few close friends.  I have acted in moments out of unconditional love for a handful of people.  Those moments and the relationships that include those moments are the most precious things to me in the world.  Unlike all other transitory happiness, the memory of those times and what has resulted from that never dies.  There's a saying where I hang out a lot: you've got to give it away to keep it.  Yes.

I don't know if I will ever write something that I feel is what I could do if only....If only what?  Not sure...Had enough time, wisdom, real ability with words...was better, more observant, richer so I had that sensibility...more something.  Too much of that, not enough of this...etc.

But for all that, spring happens....not only in nature.  In me.

I love this PJ Harvey album tonight.  I am Not afraid of this part of myself tonight, the part with passion, love, need and that can cry it out loud.  I am reclaiming her.  Thank God/dess.

It's tentative like the buds on the trees in photos below.  But she will grow back, re-emerge.  She's not dead.  Because I have the opportunity to start over again - even if it feels a bit old at 48, here I am.  Again.  New again.  Spring again.

Yeah, there's grief.  Yeah it fucking sucks.  And yeah there's spring.  Spring tears my fucking heart out.  I want to cry all the time, but I will walk around in the woods.  I will breath in the new plants.  I will love the shit out of it even if it rips my guts out.

I don't want to ever feel like too much of anything ever again.

The beauty of NYC remains: it is impossible to feel too much of anything for this place.  That includes my friends here and everything I've been doing so far - teaching, friendships, readings, writing...etc.  If anything, I feel I have to get bigger, learn to take up space again.  I spent too many years trying to get smaller.  As my cousin Darcy's mother said to her once about trying to make yourself 'fit' in a relationship: "You can never be small enough."  She was right.

So I will leave you with some very early spring photos on this Daylight Savings Time night in the US.  The one good thing Bush did as president was move this day earlier in the year.  More sun.  Good thing.

Here's to never being too much....and to PJ Harvey.  An excellent British export.

no matter what...spring happens

relentless buds...

grass returns pushing away dead leaves

profligate yellow defying the brown (a lesson...?)

Ugo chillin'

ducks chillin'

decorated a tree and walking through...the holidays and American culture

Am doing the holiday at my parents' place in Maine melt into non-specific goo thing...it's sad as I knew it would be because my husband is not here and there are other family memories that come up when tree decorations that go back many years come out of the box.

On the other hand, last year my step-father Tom was very ill and so Christmas, while meaningful, was also very sad and kind of scary.  This year that is not what is happening, so while I have loss in one sense, it is not that kind of loss for which I am grateful.

I'm watching Christmas episodes of Frasier now - in between writing this.  Our tree is now decorated with the usual mix of ornaments from 100-5 years ago.  My parents are in bed and I'm about to go upstairs and read.  I come up here thinking I will find time to work on things but then end up in this haze, especially around Christmas.

I think that just kinda has to be OK, though.  Today did some errands with my mother, which was pleasant.  In places like Maine, though, I feel the fact I can't drive.  I'm so used to cities and such, I'm not used to the feeling of being stranded unless someone drives me.  Note to self: re-learn to drive.

I am though OK, that much I know.  Was feeling badly but then talking with my mother found myself saying: you know, I'm really OK.  And I am.  And this is the constant amazement - for all the loss and things I want to do that haven't gotten done, etc., at depth I feel deeply OK.  Like the opposite of falling apart.

There is a really weird ad on TV for Marc Jacobs - a designer I presume?  Then an ad for exposure to asbestos law suits.  Late night TV is weird.  (OK, you really needed me to tell you that, I know, I know...)

It's also odd watching a TV show go through its seasons through Christmas specials.

I'm noticing now some of the really weird stuff about American culture, that I kind of knew before but having lived out of the country for long is now so blatant, like, for instance most all TV shows are cop shows or some form of crime fighting thing.  The subtle or not-so-subtle message now is that forms of violence for the 'right reason' is OK in pursuit of so-called justice.  This has shifted somewhat in recent years in that now torture is OK and there are more women who are cops and detectives, not just secretaries or assistants.  The groups of cops/lawyers/detectives are generally multi-racial.  But there is a basic line of law enforcement: good (except for corrupt ones) and everyone else: either naive or bad.  The truth is out there and one of these people will find it.

In other words, all the humanity is on the side of the cops/detectives.  When I was very young, I remember TV shows like 'It Takes a Thief' with Robert Wagner, which was a thief's POV.  I had a weird attraction to this show, but for the life of me I can't remember why...but I did. I ate dinner in the living room to watch it.  There were movies like Bonnie and Clyde and Butch Cassidy and the Sundance Kid.  Even the Godfather films were from criminal POV.  Now it's all about the cops.  The difference in the culture between the 1970s and now.  We are now inflicted with post-9/11 TV.  Of course this was the trend anyway, but now it's a solid.  Get behind the law, trust it and know It's All For Your Own Good.  Scary, right?  Right?!

OK but true confessions: I do like the show Frasier, which follows a divorced psychiatrist who has a radio show, in case you, like me, didn't know that until recently, even though the show ran for years and has been re-running for even more years.  At least it's not a cop show.  It's silly but enjoyable for someone like me right now...for perhaps obvious reasons...

Well I hope you enjoy the holidays, whichever ones you celebrate.  I think the biggest lesson for me this year and what this season can be about at its best is simple: go where the love is and stop chasing it or demanding it be or pretending it is where it's not.  Sounds simple, right?  It hasn't been for me.  If it has been for you, I commend you.  If it hasn't been easy for you, I understand.  Here's hoping it's that kind of year for us all.